Grove of the Patriarchs by Grace Marcus

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I am the first child my mother never wanted.

That I have two brothers and a sister is a testament to her docility, not her change of heart. My earliest memory is of her perfume, an exotic, spicy scent, and of her dark hair swinging down around her pale and pretty face when she rescued the hem of her dress from my grasp. I was always reaching out for her. This is not selective memory. In photos she is ever lovely, and I am ever longing—one chubby arm outstretched—to touch her.

One day (I must have been five or six years old and whining for her attention) she told me, “I’m not your mother.” And, for a moment, I believed her. It’s when I noticed for the first time my mother’s dreamy blindness and deafness, inhabiting what world I didn’t know. All I knew was that she was unhappy when summoned back to mine.

For all his faults, my father was the one who took care of us when we were sick, stayed with us until we fell asleep. “Frère Jacques, Frère Jacques. Dormez-vous? Dormez-vous?” he’d chant over and over but I resisted, waiting once more for the ‘Sonnez les matines. Sonnez les matines,’ loving the sweet cadence of his voice, his hand on my forehead.

Since he walked out on her, it falls to me to be my mother’s caretaker, not that she needs one yet. But if it comes down to that, it will be me. My brothers live on the east coast and my sister Sharon, who lives in Vancouver—Washington, not Canada—and close enough to drive down in a few hours, hasn’t spoken to our mother in years.

“You’re a sap, Suzanne,” she tells me. “You can’t change the past.”

I’ve taken today off from my job at the Puget Sound Views (it’s a monthly magazine and we just put the January issue to bed) to drive my mother to a cardiologist in Seattle for a consult about a condition that causes her heart to slow and lurch disconcertingly. She and I live on opposite sides of the Narrows Bridge, I’m in Tacoma and she’s in Gig Harbor. I leave early enough to drive down to Point Defiance Park to walk the waterfront first, a salve for the resentment I will inevitably feel when she fails to evince any interest in those parts of my world that do not intersect with hers.

A mile long crescent of walkway snakes from the parking lot at the boat launch to the beach along Commencement Bay in the penumbra of the Cascades. Mount Rainier wears a corona of clouds, so I can’t see its distinctive ram’s head shape, even though the weather is unusually fine for December. That’s where I planned to be today for my ritual respite after the jumpy rush of making the deadline, in Mount Rainier National Park on a small island in the middle of the Ohanapecosh River, at the Grove of the Patriarchs, filling my lungs with oxygen from the ancient trees. That stand of Douglas fir, western hemlock, and red cedar has been growing undisturbed for nearly one-thousand years, the river protecting the Grove from fire, the gods protecting it from all else. I am fascinated by the elegant symbiosis of the nurse logs, which perpetuate that lush forest. The fallen trees decay by degrees into a carpet of mosses. Then lichens, mushrooms and fern transform them into nurseries for cedar and conifer seedlings. There are nurse logs here at Point Defiance as well, along Five Mile Drive, but I’ve run out of morning.

There’s no bridge traffic at this hour so I can easily glimpse down at the choppy swells and the blue-gray ropes of rip tides in the Narrows. On the other side of the bridge, I take the second exit and drive around the harbor where the marinas are filled with masts soldiering in the breeze, before looping onto the access road to my mother’s house. I turn left at the crooked Madrona tree, drive down the unpaved lane and park on the gravel. Her house, rented since my parents’ divorce three years ago, is shoebox plain, with dated appliances, and drab carpeting but is situated on a sandy spit of beachfront amid grander homes. Inside it smells pleasantly of bracken from the stones and shells and driftwood she has placed on every windowsill, in every shallow bowl, her only contribution to this furnished house. Her decorative stamp is outdoors, in the whimsical sculptures, the tiles embedded in the pathways, a hot tub enclosed by a filmy forest of pampas grass.

My mother beams her hello from the open doorway. Nothing personal. It’s the same smile she offers everyone. She used to be beautiful, with a hint of animal wildness peeking out in the otherwise buttoned-up old photos, her belt tied askew at her cinched waist, a bit of tooth bared between the dark lips, her hip cocked and knees aslant, as provocative as she dared.

Even now at nearly seventy, she is prettier than I. Her thick hair is streaked and cropped spiky-short over espresso eyes and lips that redden as if dipped in persimmons, even without lipstick. She wears an ivory silk blouse with a narrow black skirt and a light wool jacket the color of plums. Two-inch heels and tinted stockings show off her elegant ankles and calves. I am raggedy with lack of sleep and rumpled for lack of clean laundry.

Both my daughters were home over Thanksgiving break: Elise from Boston, where she lives with her father during the school year, and Kit from Ann Arbor, where she lives with her lover, also named Kit, also a woman. When the girls are home, except for work, I put the rest of my life on hold. Not out of obligation or sacrifice but because I enjoy their company; Elise’s mordant wit and discerning intellect, Kit’s dead-on mimicry, her hilarious political rants. I’d like them even if they weren’t my daughters.

We cook together and scout thrift stores, ride the ferries and walk the waterfront. Sail in good weather. They catch up with their friends and each other when they’re home, but they’ve stopped visiting their grandparents.

My father berates my former husband to Elise, who adores him, and crudely mocks Kit’s relationship. “You just haven’t met the right guy, honey,” he told her.  “Believe me, he’d change your tune.”

My mother, on the other hand, pretends that neither the girls’ father nor Kit’s lover exist.

“I had a bad night,” my mother tells me, offering her cheek to be kissed.

“You look wonderful.” I say this as if it were an accusation.

“Oh, well . . .” she waves her hand, dismissive. “I felt it though.” She rests her fingertips in a cage over her heart.

“What? What did you feel?” I always have to shape her language to understand her, she’s maddeningly vague.

“My heart,” she says.

“Felt it what, Mom? Stop, Slow; Hesitate?”

“Just different, you know. Like it’s been.”

My mother has unwittingly chosen my profession. I untangle syntax, un-mix metaphors and interrogate reporters until I know the story as well as they, so their articles will read with clarity and grace. I sigh. It doesn’t matter what she says, anyway. We will have empirical evidence soon. The exam, EKG, the labs.

My mother waits until I pull onto I-5 and am dodging traffic before she tells me she has been seeing my father. The way she says it, I know it isn’t for coffee.

“He’s married,” I say, although that’s not what worries me.

“Maybe it’s better this way.”

“Why? So he can beat her up and date you?”

“Don’t be melodramatic, Suzanne.” Her tone is mild. “Your father never struck me.”

When I feel compassionate, I remind myself that she was constricted in every possible way: by poverty and gender, education and class. What she had in abundance was imagination. It was how, I understood later, she could pretend my father was exhausted or worried when he was overbearing or cruel. How she could reframe his badgering as concern, his insults as instructive. The dreamy quality that kept her removed from me, from us, was how she survived.

*

The cardiologist is bald except for a low-lying fringe of wooly grey hair, and extremely tall. Tall, and good-looking in a coarse, sensual way. His fingers are thick, his mouth wide. He swivels in his chair and rests one ankle on the opposite knee, his thigh a long and solid plank, his shoe like a small boat.

“I haven’t seen you before, Mrs…” he glances at her chart, “Garner, have I?”

“It’s Ms.,” my mother says. “And yes, I had a consult in August.”

He puts down the chart and studies her. “I think I would have remembered you.” He manages to make this sound provocative.

He stands and extends his hand. “Come, let me listen before we do the EKG.”

He helps her onto the examination table, tells her to unbutton her blouse. She’s wearing a lacy camisole. He slips the stethoscope under its frothy trim. Her breast disappears under his cupped hand.

“Fifty beats per minute,” the doctor says. “Any dizziness, nausea?”

“Sometimes.”

“Which?” he asks her. “How often?”

Good luck, I think, trying to understand my mother.

He takes her hand and tries again. “How about now? Do you feel lightheaded now?”

It infuriates me that this man is flirting with my mother—and not in a patronizing way—some remnant of her glory days clings to her, some superannuated estrogen patch or pheromone. My boyfriends, my husband, all of them were taken with her. I don’t know how my father stood it.

No, that’s a lie.

My father is the sort of man who likes his women beautiful. Beautiful and frail. He does, of course, resent them for it later.

“Christ, Adele, must I do every little goddamned thing for you?” he would say after my mother handed him a light bulb or a recalcitrant pickle jar.

“Of course you must, Mitchell.” She’d laugh and rubbed up against him, the sensuous gesture revolted my teenage-self. Was it that or the way in which my father was captivated?

He always got the best parts of her. And when my father was away, at work or on a business trip, it was as though she went away as well. From the time I was twelve, I became the woman of the house in his absence, signing permission slips, helping with homework, defrosting the ground beef for dinner. My mother wore aprons fussily, like a wardrobe in a play. Pots got burned and dinners ruined amid chapters of a book.

I am fulminating about all this when my mother blinks three times then slumps to the floor.

The doctor kneels beside her, bends his ear to her mouth. When he places his hands between her breasts, it takes me a second to realize it’s CPR.  “Get my nurse,” he tells me. “Now. Move!”           

I intercept the nurse in the hallway. “My mother collapsed. He wants you.”

The placid-faced Filipina races past me into a room, then pops right back out, like in a cartoon, dragging a red metal cart behind her. She summons another nurse who rushes into the same room and wheels out a gurney.

It’s only minutes before the doctor is running alongside the gurney, two nurses in attendance, the Filipina straddled across my mother’s chest, her hands like pistons revving up my mother’s heart. I run behind until they disappear into the service elevator at the end the corridor. I’m punching the elevator buttons when the receptionist tells me they’ve taken my mother to the Cardiac Care Unit.

“Fifth floor,” she tells me. “Bear right.”

*

I call Sharon from the family waiting room. “I’ll come down,” she says.

I know she means for me, not our mother. The kindness undoes me. “Okay,” I manage through the knot in my throat. “Good.”

“Suze?”

I can’t speak.

“Suzanne. You’ve done your best, damn it.”

“Her, too,” I say, and hang up before Sharon can tell me that’s bullshit.

While I wait, I close my eyes and conjure the hushed embrace of the Grove of the Patriarchs, immerse myself in its green glory until I am as tranquil and still as the trees themselves.

 I can’t believe it when the handsome doctor comes out with that look on his face, the one that says everything isn’t okay and never will be again.

*

The room has a ghoulish green glow, all fluorescence and scrubs and easily washed plastic chairs. Everything else is white: the crib-like hospital beds, the linens, the bathroom fixtures exposed to passers-by.

I edge past the patient in the bed closest to the door; my heart knocking in my chest, to look for her but the second bed is empty. I double-check the slip of paper in my hand. Room 3605-A. The first bed. I spin around. I didn’t recognize her because this time she has gone so far away that she’s never coming back.

I know this even before the doctor arrives and tells me it wasn’t her heart, after all, but a burst aneurysm that caused the stroke, which has spared her heart but ravaged her brain.

My breath enters my chest through a long narrow tube, one cold milliliter at a time. I back out of the room grateful for the obligation I have to call the others. I call my brothers first. They take it in stride. To them our mother has been as impartial and reliable as a nurse log, giving off nutrients but little else once they took off on their own.

“I’m sorry, Suze,” they tell me, acknowledging the loss is mine alone.

I call Sharon but get her voice mail. I don’t leave a message. I call my father last, reluctant to subject my mother to either his scrutiny or his lack of regard. Until I can make contact with Sharon, I walk the streets, wandering over to Pioneer Square, then into the lobby of the Alexis Hotel where I buy a pack of cigarettes in the gift shop. It’s been a decade since I’ve smoked but I decide I’ve been prudent for too long, that I should have been bolder and said my piece when I still had the chance. Three cigarettes later, I throw away the pack and dial Sharon again.

She cries when I tell her. Great gulping sobs which astonish me. I’d expected her to comfort me but it’s the other way around and when I hang up, I realize that she must have harbored the same secret hope all the years she’d been ridiculing mine.

*

The hospital room is dark now, except for the frenetic flickering of the TV. The remote is pinned to the sheet near my mother’s head, the stagy voices and static-y soundtrack leaking onto her pillow. I can’t tell if she’s listening but she’s not watching the screen, her eyes are closed. Wait. If she turned on the TV, then perhaps she’s trying to work her way back to speech, back to comprehension.

The nurse’s voice startles me. “We turn it on for them. Sometimes it helps,” he says as he fastens the blood pressure cuff onto my mother’s arm.

“Is it helping now?” I ask, a tendril of hope taking root in my chest.

He shrugs. “Hard to tell.”

As soon as he leaves, I stand close to the bed. “Mom,” I say. “Mom. It’s me.”

She looks up at the sound of my voice. Her gaze slides down my face to my hand, which she seizes in a fierce grip.

“Mom,” I try again and this time she doesn’t even look up, but just tightens her hold on me until my hand aches and her nails inscribe their hieroglyphics in my flesh.  One by one, I pry her fingers loose and cradle them between my palms until they slacken.           

“It’s okay, Mom, I’m right here.” I tuck her in and brush the damp hair away from her still lovely face.

I station the green plastic chair where she can see me and settle into its cool, unyielding embrace, prepared to stay until she falls asleep. She reaches for me through the bedrails. I take her hand and sing, “Frère Jacques, Frère Jacques.  Dormez-vous? Dormez-vous?”

Grace Marcus’s work has been published in Philadelphia Stories, The Bucks County Writer Magazine, Adanna Literary Journal, TheWritersEye, and Women on Writing. Her novel, Visible Signs, was a semi-finalist in the William Faulkner Writing Competition.

The First chapter of her novel, “Visible Signs,” is featured in the Feb 2019 issue of the Embark Literary Journey. https://embarkliteraryjournal.com/issues/issue-7-january-2019/visible-signs-grace-marcus/

She holds a Master’s in Theatre Arts from Montclair University. Her checkered past includes stints as an actress, waitress, social worker, newspaper editor, radio and cable TV show producer. A Brooklyn native, she has resided on both coasts. At present, she lives in North Carolina where she is working on a new novel and a collection of short stories.

Violette by Ivan Zoric

Sooo good

Me First Magazine

Here’s a name you don’t hear often. Violette Reign.
The words rolled effortlessly off her tongue. Her perfect French scattered a
pack of wild chills up my spine. No way I was going to repeat it without
practicing—Slav roots and hard R’s be damned.

It suited her. One look at her, shivering in the cold February night air, inside the courtyard where we were all gathered, and I knew she had reinvented herself with it. It was not the fact that she was obviously cold (and that thin leather jacket did not help either), no. She shivered with grace; a delicate tremble of the shoulders, a gentle sway of her hips, all the time standing on the tip of her toes.

The fool that I was, I fell for it. I offered her my coat, which she refused with a smile.

“I am not that cold, really,” she said. “Besides…

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AL by Gregg Voss

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The trees. That’s what I remember most. The trees, sailing by under the languid, dripping light of the street lamps. I couldn’t see them well, but they were there nonetheless. I smelled their browning, crackling leaves just beginning their descent to the street, even in those frenzied moments. There were cars, of course, and houses with their own rectangular lights beaming into my peripheral vision, but the trees. They were living things staring down at a grand transformation.

The guy was dark-skinned, Jheri-curled, totally 80s, and hard to pick up in the night made more glowering by the trees. I had seen him in the parking lot as I took out the garbage, the knife, like his hair, glinting as he pointed it straight at Al, who reluctantly handed him her purse. She shrank back on one foot, arms half-raised like bank tellers in the movies who are being robbed.

Now that I think about it all these year later, there was no conscious decision to do what I did. Just a throaty, “Hey!” I dropped the greasy garbage bucket that reeked of fried fish and potato salad, already in pursuit.

He sprinted like a high school track star. Under those normal circumstances he would have blown me away, but here, I gained. I closed in on him. Despite the sucking sound echoing from my lungs in rhythm with the shockwaves of pain in my shins with each foot that hit the pavement, it was liberating.

Life’s training wheels fell off.

From somewhere behind me came Al’s sandpaper cry – “Let him go. Let him go, kid. It ain’t worth it.” I ignored it because it was just another of her orders, a heart murmur of ten minutes earlier when she stormed out of the back door of Jac’s Supper Club, leaving me in a near-tearful fit of rage.

“When’re ya gonna learn, sonny boy?” She had gripped a whisk broom with white knuckles as if she was ready to use it on me. “Ya better wake up and change your ways, or yer gonna be out on yer ear.”

A pause of reflection in the empty kitchen. Even the cooks had punched out, and her next words echoed off the stainless steel of the dishwasher.

“I’m leavin’. Yer closin’ up.”

I had never done that before. It left me terrified. What if I F’d it up? What if there was a big, fat mess tomorrow morning, or worse?

Her purse was almost within reach. It felt near enough to touch as it bounced under the moonlight, grasped tightly in the guy’s hand, the knife in the other. He made a sharp, sudden turn to the right and headed across the open, grassy prairie of a corner house, a juvenile white oak hovering nearby. I tried the same maneuver and spun hard, nearly hitting the ground. My ankle  cracked, but I righted myself.

He bought himself a step or two. That’s all.  

I favored my right leg a little, but I sped up. I was a running back. I was holding an invisible football at chest level, my right arm extended, ready to ward off a would-be tackler, wearing a powder-blue Marshall football uniform, despite the fact that I had never put on a helmet in my life. The Marshall football players were bastards, once tying my hundred-pound frame to the stall in the second-floor bathroom. But they were tough, and in most peoples’ minds, legendary.

I was as tough as they were.

I became the legend.

Jac’s was my first high school job, my first paying job. Sure, I had shoveled snow, raked leaves, cut lawns and whatnot, which put a few bucks in the pockets of my Levi’s as a youth. But there was nothing like that first paycheck from Jac’s, a grand total of twenty-four ninety-one for eight hours of work. (Do the math; that’s when minimum wage was three dollars and thirty five cents.) I had actually done real, bonafide work for those dollars, and the proof was on paper, though I realize now that that work was at the expense of everyone around me. Including Al.

Al’s given name was Alvina, and she stood maybe five-foot, always wearing a black blouse and green apron. She was probably in her late 60s at that time, in fall 1985, but her beehive hair was apple red. The lines on her face cut deeply under her bifocals, craggy rivulets that reminded me of the Grand Canyon that I had never seen in person, only in pictures. She stalked around in a pair of sensible orthopedic shoes, and cussed as if she was a longshoreman, loud and long and laboriously. Even Jac, a hard man who was known to drop an F bomb or two while dropping another load of fish into the deep fryer, had to shake his head.

“Dammit to hell,” Al shrieked earlier that evening as I chatted up a cute hostess that was in my English class at Marshall. “You talk too much!”

I just laughed. It wasn’t because of the statement – I had heard it all before – but because of the inflection, a low, guttural tone that came from deep within her constitution and cut across the chaos that is a Polish supper club on a fish fry Friday night in Milwaukee. In all likelihood, it filtered its way onto the dining room floor, drifting over the sultry deep-fryer steam and the clanging of pots and pans.

“Ah, the hell with it.” She flung up her hands.

That’s what I thought as the pain in my ankle started to shimmy up my leg tendon by tendon. I was still within spitting distance of the purse, a bone-white handbag with red and blue squares on the sides and a pair of spaghetti straps.

The thief  pulled away. Our steps fell out of rhythm. His grew just a tad fainter. Somewhere I realized I wasn’t a running back anymore – I was a defensive back trying desperately to keep a flanker from hitting paydirt. I considered lying out and making one last desperate dive for the purse when I nearly tripped over it.

He dropped the purse. Then came the tinkle-tinkle of something metal hitting the pavement and I realized he had dumped the knife, too. He cut another precision ninety-degree hard right and like a hurdle, nearly vaulted a chain-link fence that bridged two houses, and was gone. The reason was a pair of white MPD squad cars idling on the cross street ahead, the cops jabbering away. Oblivious.

You talk too much!

A maroon Coupe de Ville screeched to a stop behind me, and there was Al, hobbling over to where I was sitting on the curb, ankle throbbing something fierce, but I had the purse and the knife.

“I toldja not to go after him, kid.” No thanks, or even a howdy-do. “You coulda gotten hurt. Dammit, anyway …” She threw her arm around me, helped me to my feet, and I jump-stepped the entire way to her car, shooting pain through my ankle with each impact. The leaves fell from the trees, the smell like burnt toast creeping into my nostrils.

Years later, I was at Al’s wake, her hands clasped in prayer to a God she continuously blasphemed, the nails of her dish-worn hands painted, which felt like blasphemy. A table stood nearby. Littered with photos from throughout her life, I spied something else, the purse. I smirked to myself and recalled the drive we made to St Joe’s Hospital, where I was born and a night when I was reborn in a distinct way.

As Al turned the wheel and drove me and my throbbing ankle for treatment, she left me with the only words that have ever really mattered. “You’re all right, Eric. You’re all right.”


Gregg Voss is a marketing communications writer during the day and covers high school sports most evenings and weekends. In the intervening time, he is a prolific fiction writer – most recently, he had a short story published in the Winter 2018 edition of Door County Magazine, and another published in the December edition of The Write Launch. Additionally, he has completed his first long-form manuscript, a short story collection tentatively titled “The Valley of American Shadow,” which he hopes to publish in 2019. Finally, he’s also working on his first novel.

Violette by Ivan Zoric

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Here’s a name you don’t hear often. Violette Reign. The words rolled effortlessly off her tongue. Her perfect French scattered a pack of wild chills up my spine. No way I was going to repeat it without practicing—Slav roots and hard R’s be damned.

It suited her. One look at her, shivering in the cold February night air, inside the courtyard where we were all gathered, and I knew she had reinvented herself with it. It was not the fact that she was obviously cold (and that thin leather jacket did not help either), no.  She shivered with grace; a delicate tremble of the shoulders, a gentle sway of her hips, all the time standing on the tip of her toes.

The fool that I was, I fell for it. I offered her my coat, which she refused with a smile.

“I am not that cold, really,” she said. “Besides, I hear it is warm down there, like almost 68 degrees.”

Down there were the Portland Shanghai tunnels. An underground network of passageways, holding cells and old opium dens built back in the day when beards were worn by men instead of hipsters and vices were more than just a night of gambling and a buffet at Spirit Mountain Casino. Nowadays, they were home for gutterpunk kids, restaurant pantries and rat colonies. The tour we were on was nothing more than a glorified basement crawl, covering a city block, if that.  I was working on a new story and had to get some firsthand experience. It’s not like I could just go to any basement, at least not without fear of getting shot. The long, cold fingers of the NRA were all over Portland, no matter how liberal it tried to look.

“So I hear; lack of air flow and all those heating pipes,” I said.

“Kind of creepy, right? I mean, getting snatched and taken down like all those people back in the day. I’d die before they even get to sell me off.”

“Make sure you stay in the middle of the group, just in case,” I said.

Her eyes clouded over.

The tour guide interrupted our exchange. The courtyard went quiet, some twenty or so faces starring at him in expectation.

He opened up with a history of the Shanghai tunnels, an almost century old network of tunnels underneath downtown Portland. For all of it’s current liberal glory, the city used to be a real world hellhole not even a hundred years ago. Not all the pirates and smugglers preferred Caribbean. Some of them loved cold waters of Pacific Northwest and Columbia river. Finding  enough people to crew the ships required a bit more unorthodox approach, though. Snatching being the most popular one. Drop and roll had a  different meaning back then.

He followed this with a story of how he had been lost in tunnels as a seven year old, more than once and always in the company of a haggard seaman. He was totally oblivious to how it sounded to the rest of us. Violette shot me a glance, eyes wide open and I responded with a raised eyebrow and shrugging. We both smiled and I put my arm around her shoulders. A jolt of electricity caught us both by surprise. I almost pulled the arm back, but she grabbed it with her hand and pressed it harder into the shoulder. I understood. Her shivers stopped.

Our guide opened the massive trapdoor and led us into the musky darkness.

She drew closer with every nook, every corner we explored. I inhaled her perfume, a faint trace of rose water and something else, much sharper and earthy. Not too strong to be intoxicating, just subtle enough to make me wonder. The tunnels were pitch black, aside from a few holes in the ceiling, so we kept fingers interlocked. Her skin felt smooth and cold, a lake in flesh, so unlike the rough volcanic island surface of mine. From somewhere up above drifted the noise of the rolling bowling balls and pin strikes. The smell of pizzas, baking cheese wafted down through the vents. It was strangely comforting.

There were no hobos or ghosts, though, unless you count those in stories that our guide served with an enthusiasm of an old schoolteacher. That’s exactly what he looked like. He sported a Mr. Rogers sweater, taped glasses and a monotone voice that even Ben Stein would be proud of. He belonged down here, with cobwebs and old sailor boots. His haircut was somewhat of a relic as well.

Not that it was a completely wasted journey. The rope and cans early alarm system worked surprisingly well even nowadays. Especially because our guide did not warn us about it so we got to experience the firsthand how loud and terrifying it is when you walk into it. The room where they broke the young women spirits after being kidnapped was a  box with nothing but a chair and aura of despair completing it. It was a pure essence of claustrophobia.  Violette and I checked the walls for nail marks and messages, but like most of the tour, the original woodwork had been replaced. In these confined halls, the air was heavy and oppressive.

We were happy to be out of there after an hour. The cool breeze was a blessing. A clear spring night, so rare for Portland , opened up all around us. The city rang alive with laughter. Music blasted as we walked by the open bar doors, mixed with drunk shouts and singing. It was still early in the evening, so we grabbed a table by the fireplace at Hobo’s and ordered drinks.

“So, I have to ask – what’s with walking on your toes? I noticed you do it a few times tonight?”

The shadows of the fire danced upon her face as she played with the straws in the cocktail glass.

“I am a ballerina”.

“ That is awesome. I have never met one.”

“ Been doing it since I was three. It’s in my blood. I live for it,” she said.

“Ballet, or blood?”

“Both.”

A devilish smile flashed across her pale face, as she licked a few drops of runaway Ruby Sparkler cocktail of the edge of the glass.

“Have you ever watched anyone dance by candlelight?” She asked.

“I have not.”

“An erotic ballet virgin then? How quaint. Would you like to?”

I did, and it wasn’t just the snark in her voice that I reacted to. I couldn’t dance. It has always been elusive and abstract to me. Magic, when it really comes down to it.  The fire in my belly was more than just the alcohol working .We were out that door before the ice cubes in our glasses even had the chance to melt.

Her ballet studio was off Burnside. A two story building tucked in behind a row of birches, barely visible from the street. She unlocked the front door and we found ourselves in the dark, yet again, only this time the musky smell of the underground had been replaced by something much more appealing. The same rose water fragrance, only that mysterious earthy component much stronger this time. It was not her perfume, I realized, but the studio itself. She must have spent hours there every day. Every night. The sound of traffic came through muffled, nothing but a buzz. This was a temple of the art and I had every intention of becoming a devotee.


“Take off your shoes,” she whispered.

 I obeyed without argument.

She produced a chair, from somewhere deep in the room and I sat down, eager for the show and slightly buzzed. “Wait there, I will be right back. I have to change and bring candles.” She disappeared into the darkness.

I sat for what seemed like an eternity. Time is elastic, any junkie can vouch for that. It has a tendency to stretch itself thin when you really need something, when you want something. At that very moment, I wanted to see Violette dance more than I wanted to breathe.

A small flicker of light appeared in the far end of the room, followed by another a few moments later. She lighted candles along the corners, eight of them altogether. I could vaguely see shapes of barre all along the room.

“Shouldn’t there be mirrors on the walls?” I asked.

“Not here”, she said. “They take away from the magic of it all. Besides, when I dance I can’t see myself anyway.” She stepped into the faint light and I could finally see her, dressed up for the occasion.

She wore a black leotard like another skin, muscles shifting under it as she moved, like panther waiting to pounce. The parts it did not cover were covered by a complex mosaic of tattoos, ranging from simple tribals, all the way to a scene from Le Petit Prince, complete with fox and a rose.

“Le Petit Prince?” I asked.

“Always. So sad, yet so poignant. I identify myself with him. I too have a rose, that takes too much of me, it seems,” she said.

“Your art?”

“You could say so…”

She walked back to the barre and turned facing away from me. Candlelight made her look ethereal, shadows dancing across the floor like licks of dark flame.

“A basic few steps for the first timer,” she said.

“This is Demi-Plié.” Her knees bent halfway as she executed the move.

“Followed by a Grand-Plié.” This time she bent all the way down, her feet apart. I swallowed hard.

She sped up.

“Elevé, Relevé, Battement Tendu, Rond de Jamb.”

And then she took off, like a comet across the night sky.

It was pure magic. All I could do is sit there, my mouth open as she moved across the floor like a living flame.

Her bleached blonde hair whipped back and forth as she ascended into figures I thought impossible to perform by the human body. Pirouettes so precise, so fast that for moment she was nothing but a blur of color. She snapped out of them in jumps high enough to make me question the laws of gravity. Her back arched to the point of unfolding, as she spun and danced her way from one arabesque  into another, fluid like a river.

I swear those tattoos moved as well. Subtle at first, the position of the fox slightly closer to the rose, but as she went on they became a moving tapestry, an animation in flesh unfolding in front of me. The fox ran away and the rose withered, leaving the surface barren, only to be replaced by baobab trees, growing out of it. I did not even get to register surprise when Little Prince himself appeared and started plucking them out, sighing visibly. The snake slithered in soon after and I could see her talking him to him seductively.

I wanted to scream, to warn this new-found miracle she danced into existence for me as I knew very well how the story ends, for now I was sure this was not the work of an ordinary ballerina. Her magic transcended the boundaries of life and death.

What was once a dead painting on the surface of the skin became just as alive and solid as I had been. This was her Piecé de Résistance, this new life she created out her passion. Tears filled my eyes and I glimpsed the bite that would end it all.

“And now for Coup de Grâce!”, she said.

Before I could jump, Violette spun close to me and drew the tip of her ballet shoe to my neck. A sharp pain exploded in my jugular, white heat spreading through my body. I watched, paralyzed, as she pulled a long sliver of a needle, sticking out of her shoe and landed en pointe, finishing her act, glimmering with sweat. The candles began extinguishing, one by one, light dying all around me until there was nothing left but the tunnel vision and a sound of her labored breathing. The darkness came soon after.

                                                                 ***

I woke up to find myself hanging from the ceiling, hands tied to the massive chandelier which was now lit up.

“It’s a shame, you know.” Violette walked in front of me, wearing the same leather jacket I first saw her in. “I actually liked you. There is certain gravitas about you. You seemed genuinely interested in my dance, rather than just hoping for a quickie in a dance studio. Makes what comes next all that more painful.”

She pulled out a long, curved blade and without flinching cut a big chunk out of my biceps.

The pain burned to the bone. I screamed as she licked the flesh and tossed it into a bowl on the floor nonchalantly.

“This gift of mine did not come without a price. It requires sustenance in order to persist.” She sauntered to the massive doors at the far end of the room. “Come out little ones. Time to drink. Allegro!” She she opened the doors.

The rumble of a dozen small feet drew near. Tiny ballet shoes filled the room with ballerinas in training. 

I finally figured out why her studio smelled like earth. She lived for blood.

“He was right, you know? Le Pettit Prince. You become responsible for what you’ve tamed. You’re responsible for your rose.”

The blade cutting into my flesh again and I am left with but a single thought: The stars on her skin will be my home when I wake up anew.

Ivan Zoric lives and writes in Portland, OR, after living through a more than eventful childhood in war torn Yugoslavia. He has published short fiction in his native Serbian and just recently decided to take on writing in English full time. When he is not writing he spends his days alternating as payroll ninja and a dad to four kids, a Portuguese water dog, four chickens and a squirrel.

A Condition of Absolute Reality by Leila Allison

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10:30, Sunday morning, 21 February 1970

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It was one of those little lost lamb spring days that sometimes wander into the dead of a Pacific Northwest winter. The sky was as clear as the devil’s conscience, and the temperature would reach well into the sixties by mid-afternoon. Almost everyone in Charleston would go out to grab a piece of that little lost lamb spring day; they knew it wouldn’t be long until another dreary storm blew in off Philo Bay.

Tess and I exited our basement apartment. Tess was careful to close the door softly because our mother had been out late the night before. It was Mom’s good fortune that Tess had been the last one out. Even at age eleven, I already made it a point not to show Mom unnecessary courtesy.

As we descended the crumbling stone steps that led to the alley Tess tapped my shoulder and asked if I thought the drunk passed out behind Elmo’s Adult Books was dead. I glimpsed him from our only window earlier and had already forgotten about him. Human messes were common in the alley, and behind Elmo’s in particular. 

“No,” I said, “dead bums don’t fart.” We hadn’t heard anything like that, but the odor was unmistakable.

“Grr-rowse,” Tess giggled. She was eight, and invariably greeted the low and disgusting with a laugh, a smile, and the twisting of “gross” into a two-and-a-half syllable word.

“Whaddya ‘spect, roses?” The way I saw it, since the guy was completely out for the count it really didn’t matter if he was dead or alive. That, as we used to say, was his funeral. Still, it was always a good idea to give winos a wide berth, you never know when one might be playing possum.

“You put your money in your front pocket yet?” I asked after we had placed a bit of distance between ourselves and the man. We departed the alley where it met Burwell and directed our mile long walk east, toward downtown. I knew damned well that Tess hadn’t moved her loot from an immense black purse she rescued from the row of ash cans behind our building a few weeks back. That was always the way it went with Tess, you had to remind her fifteen times.

She stopped with a pout and a stomp. “‘You put your money in your pocket yet?’” she repeated, all rat-a-tat-tat and snotty-like. “Oh, all right, boss of me.” She sneered. “I’ll do it so you’ll shut up about it.” 

“Good call. And toss that dumb thing in the trash while your at it,” I said, giving her purse a good flick with my index finger. “Everyone will think I’m taking a little retarded girl to the movies.”

“Oh, huh,” Tess said. This was a little catch-phrase of hers that meant everything from “You don’t say” to “Fuck off and die” (aka, “Foad”).

I thought I’d heard something close to foad in that particular “Oh, huh” Naturally, I considered correcting Tess’s attitude with a small display of violence, for that has been the right of older siblings since the invention of younger siblings. But I let it go. It was, after all, a fine little lost lamb of a morning that had wandered into February, and for the first time since October warmth glowed in the sunlight. All that, and…well…I guess I had called her a retard.

“Oh, all right,” I said. “But don’t ask me to hold it for you none.” And, yes, I had noticed that she’d taken only a few pennies out of her purse and put them in her front pocket, thus leaving the bulk of her fortune in that silly-ass thing. Under normal circumstances that would have been an insult to my intelligence, making a small display of violence mandatory. But, really, I seldom pounded on Tess. Whenever my quick temper threatened her with actual harm, all the ugliness in my heart would reflect in her innocent, trusting blue eyes. This would cause me to back down and feel bad about myself. It was a hell of a defense mechanism.

Like Rome, Charleston is a city of hills. Unless you are annoyingly athletic (which neither Tess nor I were–then or ever), riding your bike any distance whatsoever requires a great deal of getting off and pushing the damn thing uphill. We had bikes, as they were, but we usually rode them in the flat alley, against the grain of the bounding grades, which typically run west to east. Big Burwell Hill stood directly between us and downtown. The freaking thing sat there like a goddam Alp. Burwell Hill has always questioned the resolve of the humble pedestrian; after a considerable amount of whining on Tess’s part, we proved ourselves up to the challenge.

At the crest, a complete view of Charleston, the shipyard (which is the only reason why there is a Charleston) and the Puget Sound spread before us. I could still see the frigid winter blue in the sea, and farther out a tumble of whitecaps marked where Philo Bay communicated with the wilder, open Sound.  

“How much you got?” Tess asked.

“‘Bout six dollars,” I said.

“I’ve got four-ninety-six.”

“You’d have more if you didn’t give a buck to the March of Dimes,” I said, referring to the large can that used to come round the classrooms two or three times during school year. “They call it the March of Dimes for a reason, Miss Moneybags.”

“I feel sorry for kids on crutches, Miss Stingy-pants.”

“Cripples get their crutches for free,” I said.

Sometimes God punishes you on the spot for the heinous shit you do or say. On those occasions no subtle, ironic payback lies ahead, nor will you be standing at the Pearly Gates and hear that heinous shit mentioned along with similar bon mots from a list that St. Peter reads to you–one which gives a detailed explanation on why you’ll be cooling your ass in Purgatory for a century or three, or however long necessary ‘til you are deemed holy enough for the Kingdom.

On the heels of my “crutches for free” comment, something that happened when I was about four bloomed in my head. Mom (who was carrying Tess, still in diapers, in her arms) and I were walking past the Presbyterian church during Christmastime. Ahead came a man using a rope to tow one of those wooden dollies movers use to transport furniture, and on the dolly sat a boy of maybe eight. The boy had heavy braces on both his legs and he sat upright and spread eagle on the dolly as though he were stuck that way. As we passed I saw that he had hooks for hands. He smiled at me and I screamed and screamed. I think I’d be screaming still if Mom hadn’t given me a sharp crack in face.

“What’s-a-matter-you?” Tess asked.

“Nuthin’,” I said. “C’mon, Woolies should be ‘bout ready to open.”

During the workweek, and to a lesser degree, Saturday, Burwell and downtown Charleston would be extremely active. Three of the ten shipyard gates lay evenly spaced apart from each other on Burwell, and the area was usually a mad tangle of cars, foot traffic, belligerent admonishments, blaring horns, and frustrated people futilely searching for parking. Come Sunday, however, downtown would fall asleep and become relatively deserted. The sound of the wind blowing in off Philo Bay would mix with the ringing of distant church bells, and something deep inside my heart would become sad and anxious and in deep need of consolation.

Back before even the smallest town became like a 24/7, meth-twitching, insane consciousness, nearly every business in Charleston (including Elmo’s) was closed on Sunday. As far as we knew only three businesses would be open that day: Woolworths (from 11-3); the Roxy Theatre (for the Sunday matinee only), and, I think, The Last Chance Tavern (whose patrons were almost exclusively young black men). Being girls of eight and eleven, and as white as Miss America’s smile, Tess and I had only two of the three open doors available to us. And on that day, which I now consider to be the last truly happy day in my life, we would visit both.

***

If I ever get sent to the electric chair, I know what I’d want my last meal to be: a Woolworth’s hamburger, fries and a fountain coke poured on shaved ice. Since the booths were occupied by church-goers (aka, “Christers”), we sat at the counter like proper little ladies and did our best not to eat like swine. Removing the wrapper off the straw at Woolworth’s used to be one of life’s greater small joys. There was a routine I followed and never deviated from: first I’d tear off the paper at one end, blow gently into the opening–as only to move the paper half-way down the candy-striped straw, mind you–and then I’d remove the wrapper and roll it up into a little ball. Looking back, I guess “life’s greater small joys” sounds contradictory; but I have no better phrase handy. I used to feel the same joy about October fog; the way a cat will settle in behind your knees and bathe herself as you lie in bed; checking books out from the library, and the smell of new shoes. The little losses add up to something big. I’m not one who would want to relive a big-ticket moment in my past; I’d settle for five minutes’ worth of seeing the world the way I used to see it.

We paid the check with dimes. Whenever I see a dime I often remember Tess thinking that a nickel ought to be worth more than a dime because it is the bigger of the two. It didn’t matter if she was eight or forty-eight, she never let go of that opinion. However, that sort of thinking never had sway at the Woolworth’s lunch counter; sixty cents apiece was the going rate for what we had and we each kicked in a nickel for a tip–which made us feel like sophisticated young women of the world, indeed.

The counter lady had spared us an appreciative wink and nod as we wiped up our spilled ketchup and salt and laid our napkins neatly on our plates. I wondered if she’d have done the same if she knew that we had acquired the bulk of our fortune from boosting flats of returnable soda and beer bottles from behind the A&P on Sixth Street then redeem them at the Thriftway on 11th, and vice-versa. The backsides of both stores communicated with our alley, and on the other side of the alley lay connected vacant lots heavily covered by blackberry brambles and scrub-foliage. We developed an intricate set of passages for our get-a-ways, which led from lot to lot, and even set booby traps for the few boxboys who had the stones to chase us. Once, when a yo-yo craze had swept our school, Tess and I had been bold enough to swipe the same flat of Hires Root Beer bottles three times in the same day as to raise the necessary yo-yo capital. We never got caught.

And there was the plain fact that we were prepubescent pornographers. Until old Elmo finally got wise, we’d bide our time in the bushes every Friday before school and wait for a greasy-looking fat guy to drop off bundles of magazines at Elmo’s back door. Nowadays, that might seem like madness, but I really don’t see how it was any different from the way Amazon delivers the goods today. Now, we didn’t steal everything that wasn’t nailed down, just a few. I used a pocket knife to cut the ties and Tess snaked out five or six issues of whatever jackrag lay inside and we’d beat it back undercover and stash the swag in one of any one of six hiding holes. Pictures of naked women were very much in demand at Charleston Elementary. Primo denero. Dangerous scam, however.

My classmates knew that I was pretty tough, and not just for a girl, either, this kept the gag pretty much a secret from the faculty. Yet one little fucker got busted and spilled his guts (I kept Tess out of the transactions, she was in advertising). I got detention twice for this, once for selling him a centerfold the second time for pounding the holy hell out of the little fucker during lunch, in front of everyone, as to send a message. Nowadays they would have probably sent SWAT after me and put me in Gitmo Bay. I don’t think I would have liked growing up in today’s world.

On our way out of Woolie’s Tess grabbed my arm and said, “Let’s get some pictures.”

“Make sure it’s okay first,” I said. “Movie starts in twenty minutes.”

The photobooth stood by the front entrance and was almost always OUT OF ORDER, but the sign was off it that day, and after Tess double-checked with one of the cashiers, it was indeed back in service. For a quarter you got a strip composed of four one-inch square pictures. I liked the idea, but only on up to twenty-five cents. Blowing half-a-buck on the machine seemed wasteful to me. So we went in together and made a series of dumb faces.

Tess extracted the strip and handed it to me. I said “cool,” gave it back to her, and it then disappeared in that scroungy purse of hers. I never thought about it again until last November, as I sifted through her stuff two days before her funeral. And there was something written on the back of the thing. Somehow, after nearly fifty years gone by, Tess held onto that damn film strip, even after the loss of everything else good in her life. I had it buried with her, it seemed to me that nothing I have ever touched in life ever belonged more to one person, better displayed the secret heart of one person than the words that lay behind the run of photos.

There wasn’t anything supremely poetic or earth shattering on the back of it. Just the day and date and “Me and Big Boss of Me Having Fun” written in her childish script on it. I came within a lick of scanning both sides of the strip, but something deep inside my mind, that same something which becomes melancholy at the intertwined sound of wind and church bells, told me not to do it.  

Shirley Jackson says, “No live organism can continue for long to exist sanely under conditions of absolute reality; katydids and larks are supposed, by some, to dream.” I dream yet I do not exist sanely. Perhaps this is due to the fact that I have the subject and object in my dreams the wrong way round. Maybe I am whom,  and not the who who tells my story and weaves the tapestry of my dreams.

There once turned a world in which I loved Woolworth’s hamburgers. Mainly the bun, the way it had crisped on the grill and how just a little grease got on the smooth top, but never too much as to make it soggy. Now there turns a world in which the memory of such is steeped in a sadness so profound that every description I try to lay on it fails not just miserably but to the degree that it demeans the event.

Still, I wouldn’t trade my imperfect past for the most promising future. It was, and I love it dearly. Since I find my own expressions lacking, I leave you with the final words uttered by Marley’s Ghost: “Look to see me no more.”

Leila Allison lives in the menacing Pacific Northwest. She is a member of the Union of Pen-names and Imaginary Friends, and, as such, she works only between three and six in the morning, seven days a week, as stipulated in the contract between Leila and her “employer”–a dubious, shadow-like person who only comes out from under the bed to buy cigarettes and feed a parakeet named Roy.