The Script for Daphne Shields by Scott Bassis

I walked into the Little Havana café. Josh’s radiant smile told me this wasn’t about Time Leapers: The Complete Series. I smiled too, elated by the sight of his gawky handsome face.

“Here it is!” I placed the DVD box set on the table. Josh had lent it to me a year ago, while we were both at Warren University. He mentioned liking it. I expressed my curiosity about it. Before I knew it, he was leading me to his house, offering to let me borrow the DVDs for the summer. If I were able to change the past like the protagonists of Time Leapers, I wouldn’t have hurried away after a quick “thanks.”

“It was good,” I said. I had seen every episode. After receiving Josh’s email sent to my Warren account, I rewatched several to refresh my memory. “That was nice of you,” I added. He kept smiling and staring at me, not once glancing at the DVDs.

“Hungry?” he asked. A leftover onion slice and a glob of dressing sat on his already finished plate.

“No,” I said. I immediately regretted it. I always automatically turned down food. An eating disorder was one consequence of what Hector, my stepfather, did to me as a child. Thanks to him, I had a whole collection of disorders. Unfortunately, I wanted nothing more in the world than to sit here with Josh for as long as possible. “But I’m thirsty,” I said.

I ordered a Diet Coke from the woman behind the counter and tried to think of something to talk about. I planned on discussing Time Leapers until Josh showed no interest in it. TV was how he first got me to speak when I was a freshman and he was a grad student. As a young man, I withdrew into myself. Starting college, my social skills were almost nonexistent.

I wouldn’t look anyone in the eyes.

I hardly spoke.

Josh befriended me. He divulged he used to be as shy as I was, said he overcame it when he realized how dumb everyone was. There was no reason to be intimidated by them. He said them in a way that emphasized they were not the same as us.

At first I resented his efforts to help me. I fumbled with words and felt pathetic. Luckily, he figured out how to be put me at ease. He mentioned Crown of Dragons. He correctly guessed that I was obsessed with it. My shyness evaporated as we debated who would ultimately rule the kingdom.

I returned with my Diet Coke. It struck me I should talk about real life. That the answer wasn’t immediately obvious was a remnant of my former social incompetence.

“What’ve you been up to?” I asked. His email had been brief:

Hi, Pablo.

In Miami ‘til Sunday. Remembered you lived there. I never got Time Leapers back. Want

to meet up?”

There was nothing about why he dropped out of Warren before completing his doctorate.

I’m working in San Fran at Mojo, a software developer. I interned there for the summer.

They offered me a job and I took it. I was sick of Warren. I’d been there for seven years.

The charm of a rich kid hipster haven had worn off.”

I wanted to shout, “What about me?” Of course, it was my own fault for not being his reason to stay. At first, I was closeted. Although socially clueless, I was boyishly handsome, and girls sometimes pursued me aggressively. One day, a dormmate asked me out on a date. I didn’t want to hurt her feelings, but knew deceiving her was worse. “I’m gay,” I said tearfully, as if I were afflicted with a fatal disease.

She said “okay” and shrugged.

Once I realized that being gay wasn’t a big deal, I grew more confident. Speaking to others and meeting their gaze became easier. Still, I wasn’t attracted to Josh, whom I hardly even considered a friend.

He owed me nothing, I told myself now. Yet, my heart felt otherwise.

“It was spur of the moment.” He must have seen the hurt on my face.

“You don’t feel like you wasted three years, dropping out before you got your doctorate?” I asked. It came out harsher than I intended.

“I feel like I wasted three years instead of four.” He stiffened defensively. “And what’ve you been doing?”

“Working. Saving money. I start film school at Manhattan U in September,” I said.

“Going into the film industry? That takes courage, unless you’re a long-lost Coppola.” He scoffed.

“Nah, my only family connections are in the maintenance industry,” I said.

He laughed, breaking the tension.

“We’ll be paying off loans ‘til we’re dead, won’t we?” He sighed.

I nodded.

We chuckled. While we both clearly harbored pent-up resentment, we had to let go of the past. Our pasts were certainly worth forgetting.

In May of my junior year, it finally dawned on me why Josh was so fixated on me. I gazed outside my dorm window. By chance, I noticed him crossing the field. He stood alone. I realized there wasn’t one time I didn’t see him alone. His posture was bent like an old man’s, as if he had endured a lifetime’s worth of suffering. The heat was sweltering.

Nonetheless, he wore jeans and a long-sleeve shirt. It suddenly registered how deeply he was scarred. Only one thing could have caused it. What else would make him need to cover the skin on his arms and legs? What else would make him so afraid to be touched?

By then, I understood that I would never recover completely. I would always be ill at ease around others. I would have issues with food. I would cringe when an image, sound, or smell stirred a horrible childhood memory. I would never be like them, and Josh seemed like the only person I could relate to. Almost as soon as I had this epiphany, that I loved Josh, he was gone. If only I told him, instead of prattling on about how good Time Leapers was supposed to be.

Today in Miami it was close to a hundred degrees, and neither one of us wore short sleeves or shorts. The past mattered and it didn’t, because who else would love someone so damaged?

“How was Warren that last year? Snobby as ever? Even the name’s basically slang for ‘rich kid,’” he said.

“Okay, I guess,” I said untruthfully. It was almost unbearable. The hope that I would see him again was all that kept me going. “Everyone there was pretty nice.”

“It’s called ‘patronizing,’” he said.

He was right. Both professors and classmates would speak to me slowly, as if unsure of my proficiency in English. My shyness didn’t help.

“You weren’t patronizing,” I said.

To the contrary, he expected behavior that seemed beyond me. As soon as I mastered “nice to meet you,” he was bringing up the weather, asking about my classes.

“Only to stuck-up brats, but they didn’t talk to me anyway. They thought I was a weirdo,” he said.

“I never thought that,” I said.

“You’re one too.” He smirked.

Thanks.” I wasn’t offended. I was flattered. Calling us “weirdos” was the same as saying unlike them; I didn’t want to be like them anyway. I was perfectly content being like Josh.

“See what I mean?” he laughed. “Ahhh!” he yelped. He jumped in his seat, accidentally banging our knees. It was his cell phone ringing in his pocket. Like me, he had an exaggerated startle response. The term was “hypervigilance,” a symptom of PTSD.

He glanced down at his phone. It displayed a photo of a woman, “Rachel.”

If it were a man, I would have been jealous. I assumed it was his sister. They both had black, wavy hair. He muted his phone, ignoring her call.

Beneath the table, our legs touched. His left knee grazed my knee. His right calf leaned against my calf. Neither he nor I moved. Warmth emanated from the contact between us, spreading through me. It astounded me how good it felt. I couldn’t recall the last time a touch didn’t unsettle me, but his face was contorted with sorrow.

In me, he seemed to see his own pitiful past. I sensed how badly he longed to heal me. Love could heal us both; I was sure of it, just from the feel of his legs against mine, stirring me in ways nothing ever had before.

I jumped as someone tapped the window behind me.

It was the girl, Rachel.

Josh sat up, pulling his legs away. With one hand she held a cigarette, with the other she waved him outside.

“I have to go,” he said. He looked perturbed. I was flustered, too, by all the emotion that touch had evoked. “It was great seeing you,” he said, gazing at me tenderly. He stood and headed out.

“What about Time Leapers?” I grabbed it from the table and held it out to him.

“Keep it.” He held up his hand. “It’s on Netflix anyway.”

Before I could say “thanks,” he was out the door. I gazed out the window behind me at him and Rachel waiting for the light. They weren’t siblings, I decided. She was too short. Their facial features weren’t similar. His sister, if he had one, must have looked like the actress Daphne Shields.

Daphne Shields had Josh’s same smile. Like Josh, her sunken cheeks became suddenly full, her eyes dipped down bashfully, then raised disarmingly. Both Daphne Shields and Josh were frightfully thin. They shared the same pasty complexion, blue in certain lights. Each had huge, melancholy eyes, though Daphne Shields’s were dark brown and Josh’s were hazel.

It occurred to me that Daphne Shields was hurt in the same way as Josh and I. Her skittish demeanor helped make her a horror film icon. Few actresses conveyed fear as convincingly.

When not a scream queen she often played a grieving widow or the mother of a sick child. There was a sorrowful air about her. Still, she had great comedic chops. One of her most memorable roles was as a stand-up comic with cerebral palsy, using humor to mask her pain.

Daphne Shields was like us: it was an intriguing thought, not that it had any bearing on my life. No one even knew where she was. She vanished from the public eye a decade ago.

As Josh continued up the avenue, I lost sight of him. I reassured myself that our separation was temporary. We both knew how the other felt. All we needed now was to find a way to be together. Until then, I would have to make do with Time Leapers, my keepsake to remind me that Josh loved me.

Later, I realized I didn’t have Josh’s cell phone number. I didn’t own a cell phone and he didn’t have my home number. Nevertheless, I wasn’t worried. We could reach each other by email.

Since he was older, it felt natural that he should take the lead. I resolved to wait patiently for his message.

***

New York was exactly what I had been primed to expect from movies and TV: imposing skyscrapers, crowded streets, a multitude of ethnicities and cultures. Although the city had fascinated many a filmmaker, I rarely ventured beyond Tribeca, where Manhattan University was located. Without Josh, everywhere I went ─  no matter how impressive, felt desolate. Classes kept me busy. I studied film theory, learned the basics of cinematography, editing and production design. For Screenwriting 101, a complete spec script was due by the end of the term. Still, nothing took my mind off Josh, or the fact that he hadn’t written.

I checked my Warren email account daily. Other than the occasional junk mail, there was nothing. I tried to rationalize it. Josh wanted me to settle in first, or he didn’t want to seem desperate. Thanksgiving finally forced my hand. Surely, he thought about us reuniting.

After an hour in front of my computer, agonizing over each word, I sent him a “casual” email:

Hi Josh, what’re you up to?

Thanksgiving’s coming up. I got the whole week off! Hope to see you soon. Thanks

again for Time Leapers!

Days passed. He didn’t write back. I moved onto plan B. Thealternative, life without Josh, was too bleak to consider. By Googling his name and “Mojo,” I found his work number. My heart pounded and my stomach swirled with butterflies as I called him in the afternoon, morning in California.

“Hello?” he answered. 

“H-hi, it’s, it’s Pablo,” I stuttered.

He didn’t say anything.

“From Warren,” I added.

“Hi. Hello. Yes, Pablo.” He sounded flustered. It heartened me. Seemingly, he was nervous for the same reason I was, because he was in love.

“I, um, thank you again for the DVDs.” It was all I could think of to say. I didn’t want to bring up my unanswered email. I didn’t want him to think I was angry.

“We didn’t have room in our luggage. My girlfriend went a little crazy shopping.” His tone changed. He sounded cool, calculating. It took a moment to register what he said. Rachel wasn’t his friend, the “Grace” to his “Will.” She was his girlfriend. He was straight. At least that was what he was saying.

“Oh,” I said.

I heard him take a deep breath, perhaps in trepidation, fearing I would lash out. Still, he didn’t hang up. I reflected on our time at Warren. Josh had reached out to me incessantly, not relenting until I spoke to him. As my social skills improved, he encouraged me.

But why was he so determined to mentor me?

Why email me out of the blue after a year?

He wasn’t spurred by desire, as I had believed, but by compassion. I wasn’t his unrequited love. I was his pet project.

What about our legs? I thought. If he didn’t yearn for my touch, why let his leg linger there? Why did it feel so wondrous?

I had sensed what he wanted, what we both wanted, under that table. I knew what I saw in his eyes, not only in the café, but always: love.

“That’s nice. I mean, for her, glad she found so much stuff. Thanks anyway,” I said.

He took heavy, rapid breaths.

“You’re welcome,” he finally croaked. “Is that it? I mean, is there something else?” Confusion and distress clung to the line.

“That’s it.” For both our sakes, I hung up. I stared at the phone on my desk. Despite myself, I ached for it to ring, and to hear Josh’s voice. Of course, there was only silence. He made it perfectly clear that he wanted nothing to do with me.

I had always thought of Josh as so far ahead of me. He was once as shy as I was and he overcame it, but terms of facing his sexuality he trailed behind. Not only was he a coward, he was a hypocrite. He told me not to care what others thought, because they were all idiots. Obviously, he cared more about what they thought than he did about me.

I grabbed Time Leapers from its spot on my shelf.I hurled it against the wall, smashing the case, causing shattered discs to fall out. I threw myself on my bed. I screamed into my pillow. I cried.

I cut my tantrum short upon noticing the time. Screenwriting was in ten minutes. Fending off my despair, I got up, slung my backpack over my shoulder and left.

Today’s lesson was on dialogue. Conversation had once seemed so daunting. I finally got the hang of it, but to what end?

I was still friendless, unloved and alone. It seemed all too apparent that I was irrevocably broken. I spent the class ruing having ever met Josh, having ever been filled with the false hope for a life that wasn’t a tragedy.

Professor Ansel stopped early to hand back the class’s scripts. The first half of the script had been due last week; the second half was due at the end of the term. Before this afternoon, I was eager for his feedback. Professor Ansel was an Oscar nominated screenwriter. He had worked in Hollywood since before I was born. Now, just the thought of my script made me cringe.

Inappropriate Touch was the thinly veiled story of Josh and I. I was Victor, an undergrad student; Josh was Daphne, an adjunct film professor. Writing it, I had envisioned Daphne played by a young Daphne Shields, thus the name. The star-crossed protagonists were supposed to run off to New York to embark on a new life together. Daphne’s spineless betrayal of Victor wasn’t the ending I had been building towards.

“Can you stay behind for a minute?” Professor Ansel asked as I retrieved my script.

I glanced down at the script. There was no grade. While the class filtered out, I sat up front in an empty seat.

Professor Ansel organized the papers on his desk. Once we were alone, he raised his gaze. He had a wry look, as if he knew I knew exactly what I had done.

“I like the part where Daphne films Victor,” he spoke slowly, seemingly under the impression that English was my second language.

“She doesn’t. He won’t let her.” I could tell he was testing me. He must have suspected I plagiarized the script.

“That’s right. The flashbacks to his childhood were quite powerful. Who abused him again, his uncle?” Grinning smugly, he seemed not to consider the possibility that I was the author.

“His stepfather,” I said. 

“It was her stepfather too, wasn’t it?” he asked.

“It’s not stated. He just knows it was somebody. She shows all the signs,” I said wistfully.

He waved me closer with his hand.

As I approached his desk, he looked up and down my body in a way that made me shudder.

“You always hide in the back, but don’t think I haven’t noticed you.” Still leering, he grabbed his red marker. He scribbled an “A.” He winked, as if he and I were sharing a dirty secret. I took back my script.

Walking away, I felt his eyes watching me.

“Acting is more lucrative than screenwriting, you know. A handsome face can go far with the right connections,” he said. “Lucrative means pays more.” He seemed to think I needed that clarification.

As it registered what he was proposing, anguish overtook me. It was the opposite of the tender intimacy I had imagined sharing with Josh. Apparently, though, Josh was only ever a fantasy.

I made it to the door before I stopped. Perhaps I had suffered one humiliation too many today, to be accused of plagiary, to be propositioned like a prostitute, to learn the one I loved refused to love me back.

“It’s my story,” I muttered.

“Excuse me?” he said. I turned to face him.  

“I said it’s my story. I wrote it!” I usually held everything in until I was alone. Now I felt my self-control slipping like a façade unable to contain an explosion.

“I reviewed your undergraduate transcript. Don’t get me wrong, I’m all for affirmative action, but I doubt you’re capable of…” His voice trailed off.

With all I was dealing with at Warren, my grades were uneven. Nevertheless, I was positive it was the “Pablo Rodriguez” in the byline, not my transcript, which convinced him it was plagiarized.

“It’s my story. I lived it. I was sexually abused. My voice was stolen from me. Everyone else knew what to say. It was automatic for them. The words wouldn’t come to me. My brain couldn’t find them. I didn’t know what was wrong with me.” I groaned despondently.

“Perhaps you should see the campus therapist. Why don’t you go make an appointment right now?” he suggested mockingly.

I ignored him. I thought of something that made me smile.

“It wasn’t complete hell. I had movies and TV.” When I reflected back on my childhood, mercifully, what I remembered most was what I had watched on a movie or TV screen, my consciousness escaping into the lives of fictional others.

“Saved by Saved by the Bell.” He ridiculed me again. He thought I was too crazy to realize it.

“No one cares! No one wants to hear it! I make them uncomfortable!” I snapped. 

“Wonder how that could be.” He sniffed.

“You wanted to screw me.” I sneered. With my self-control gone, I spouted whatever came to me.

His mouth dropped open. He looked horrified, no doubt less by the accusation than by whom I might repeat it to.

“I’ve never been with anyone, not since…” my voice cracked. “I was in love with this guy, the real, Daphne. He says he’s straight.”

“It happens,” he said sympathetically. Bringing up his sexual advances had caused a change in his demeanor.

“He was the only thing that kept me going. I don’t want to live if we can’t be together. I wish I died as a child. It would’ve been more humane,” I said bitterly.

His brow furrowed. “I’m sorry for the misunderstanding, and I’m sorry for all you’ve suffered.” Compassion flowed from his eyes. Clearly, he had picked up a few acting pointers during his time in Hollywood.

“It’s my story,” I declared once more. It was my own wretched life I had put into that script. I at least deserved the credit for having lived it. Before I left, I crumpled the script in my hands and tossed it in the trash. It felt briefly cathartic, as if it were my life I had casually disposed of.

Upon returning to my dorm, I resumed where I had left off, crying, screaming and throwing things around. Eventually, my roommate, Greg, arrived.

“Whoa, it’s a mess in here,” Greg said. Despite the marijuana odor continually wafting from him and his belongings, I was lucky to have him as a roommate. He spent most of his time at his girlfriend’s, and allowed me liberal use of his fifty-inch TV.

“I was looking for something,” I said.

“All right,” he chuckled, incurious as usual. He only stopped by for a roach. He took off as soon as he set down his pliers, but in the interim I regained my composure.

Still, if my anger seemed pointless, so did life without Josh. I curled up under my blanket. I felt as if I could lie there forever. My carrot on a stick was gone.

I received a call on my campus phone. I let it go to voicemail. I couldn’t refrain from checking it longer than a minute.

Even after everything, I hoped it was Josh calling to see how I was.

It was Professor Thorne, head of the film department. She wished to see me in her office to discuss my “threatening outburst.” I had to admire Professor Ansel’s cunning. He had gone on the offensive, painting me as violent and unstable, thereby discrediting any accusations I might make.

Roused from my bed, I stumbled over to Greg’s television. It was instinctive. TV provided solace during the most abysmal times. I flipped through the channels, landing on a rerun of Lost Island. I was a huge fan of the series. It gave me comfort to spend time with the familiar characters. Not even the commercials bothered me. I enjoyed placing the actors’ faces, figuring out how I knew them.

Suddenly, a face I recognized chilled me.

It was Daphne Shields. Those were her eyes, large, dark, beautiful. That was her long, thin nose, which added drama to her every facial expression. Those were her small, but shapely lips, her oversized teeth poking through them like a rabbit’s. The rest of her was monstrous. A double chin subsumed her neck. Swollen purple bags drooped under her eyes. Her gray hair was stringy and unkempt. Her blotchy, rubbery skin resembled a latex mask. She had been transformed into a Halloween witch.

“They’re out to murder me, like they did the president. The one they got there in the White House is a decoy. I did this film in ’96, The Ballot. That’s what put me on their radar,” Daphne stated matter-of-factly. Suddenly, she gripped the arms of her chair. “They think I can’t tell they’re poisoning me!” she seethed.

“Watch Doc Murray’s heartbreaking interview with actress Daphne Shields as she emerges from years of seclusion,” a voice directed over the ominous notes of a keyboard.

“Do you ever think about returning to acting?” Doc Murray asked.

She leaned back, letting out a wistful sigh. “All the time.”

“Why don’t you?” His faint smile held a hint of mockery.

She grimaced. “The faeries appear to me, chirping I can make your dreams come true. You’ll be a star again! But underworld goblins devour them. I did nothing wrong. Still, they follow me: shadows. I trapped one in my cupboard this morning.”

She clapped her hands together forcefully, demonstrating the action. As Doc Murray flinched back, she laughed maniacally.

“The world is wondering, what have you been up to? Your last onscreen appearance was eleven years ago.” Doc Murray assumed an interested face, as if he couldn’t guess the answer from one look at her.

“Nothing, I’m completely alone. You think anyone wants to see this?” She opened her arms wide, displaying her obese frame. “I should’ve died! I should’ve died thin and pretty!”

“Will Doc Murray get Daphne the help she desperately needs?” a voice pondered.


“Why don’t you [bleep] off! You think I don’t know who you really work for!” Daphne raged at the camera, standing outside a parked car. “You work for them!” she howled.

The screen cut tantalizingly to a still of Doc Murray’s face.

“Find out tonight on a special Doc Murray, nine o’clock eastern standard time, eight o’clock central.”

I felt nauseous.

What had become of the beautiful, talented Daphne Shields? How had she turned into this madwoman?

It made me fearful for Josh. Being closeted had to put a strain on his sanity. Even if I was angry at him, I couldn’t bear the thought of him sharing Daphne Shields’s fate. I was susceptible to that too. We were all survivors, facing similar struggles, carrying similar scars.

Compelled by a need to understand how this happened, I watched the full hour of Doc Murray. Daphne Shields couldn’t provide any answers. She seemed vaguely aware that she wasn’t well. On several instances, she begged for help, though when she tried to articulate from what, all that came from her mouth was gibberish.

Doc Murray failed to shed any light on Daphne’s state. His sole aim was to titillate the viewer. He brought up her costars, her famous former lovers. He encouraged her to elaborate on her more bizarre beliefs.

I could only conclude that something or someone led her to forsake the world, retreat into isolation, where her sanity steadily deteriorated. Perhaps a lover hurt her. She had several well-publicized, tumultuous relationships. Perhaps she grew embittered as her career floundered. By her mid-thirties, she was consigned to “mom” roles in forgettable fluff. Perhaps she was degraded by too many Hollywood creeps.

Having encountered one myself, I could certainly empathize.

For days, I couldn’t shake the horror of that interview. It was what convinced me to stop by Professor Thorne’s office before class. Daphne Shields showed me that running away would only make my problems worse.

Per Professor Ansel’s version of events, the crumpled screenplay I had dropped in the waste bin had been hurled square at his head. Forced to appease the acclaimed screenwriter, Professor Thorne stated I would no longer be allowed in the class.

“However, I did personally run a search using our plagiarism checking software,” she said. Reaching into her desk, she pulled out the alleged assault weapon, flattened back into its former shape.

“I’m satisfied this work is yours.” She handed me back the script. “It shows promise,” she remarked, giving me an impressed nod.

“You’ll be reimbursed the course cost. Your GPA won’t be affected. I suggest you take an extra class next term to complete your MFA requirement on time,” she said.

I stood up to leave.

“Professor Ansel will be on sabbatical next term. I encourage you to take the class then,” she said.

“Thanks.” Even if I had been unjustly ousted from Professor Ansel’s class, I walked out of Professor Thorne’s office relieved, and gratified that she recognized my talent.

While I didn’t get the Thanksgiving break I had hoped for, I got out of returning to Miami, where there were too many reminders of the past. I persuaded my mother it was a waste of money; after all, I had that student loan debt hanging over my head. During my week without classes, I avoided Greg’s TV. There was danger in retreating too far from reality. I spent hours each day roaming the city, down to Battery Park, up along the Hudson River piers, making stops at several Chelsea galleries, through Central Park, all the way up to Grant’s Tomb. In Hell’s Kitchen, I exchanged smiles with a cute blond smoking outside “Fierce.” I promised myself I would order a drink there before the semester was over.

Still, my legs could take only so much wandering. I needed something else to occupy my time. I recalled how impressed Professor Thorne was with my script. Professor Ansel thought it was so good that I couldn’t possibly have written it. It struck me that I might have found my calling.

I felt torn between starting a new script and returning to Inappropriate Touch. After Josh turned his back on me, I couldn’t end it as I had intended, with Daphne and Victor together. Yet, I couldn’t just abandon it. I kept thinking of Daphne Shields, hauled into a psych ward, forcing her release a day later, fleeing with her coat over her gown, Doc Murray’s production crew in tow.

It seemed so unfair. Although I couldn’t help her, I could write for her, for Josh, for myself, a different fate.

INT/EXT. TRIBECA MOVIE THEATER – NIGHT

A film premiere in Tribeca: through the large windowed lobby of an old-fashioned theater, elegantly dressed guests drink champagne, eat hors d’oeuvres. A slender figure in a long coat walks by. It’s Daphne. Her hair has some strands of gray. She’s aged a decade or so. She stops to look up at the marquee. It reads, “Inappropriate Touch: A Victor Sanchez film.” She gasps and clutches her heart. She peers inside.

After a moment’s hesitation, she enters. She slips past a security guard immersed in his phone. She weaves through the crowd towards a figure swarmed by guests. It’s Victor. Seeing her, his expression turns to longing. She waves at him. There’s a wedding ring on her finger. He excuses himself. He approaches her.

Daphne: Congratulations!

Victor: Thanks. It’s been ages. How are you?

Daphne: (Shyly, as if suddenly remembering how long it’s been) Good, I’m a professor at Manhattan U.

Victor: (Glancing down at her ring, a note of bitterness in his voice) And married…he must be special.

Daphne: He doesn’t have every film critic calling him the next big thing. He’s a contractor. He falls asleep during any movie without an explosion. He thinks Speed & Fury 7 is the epitome of good filmmaking.

Victor: (Laughing) I hope he appreciates your sense of humor.

Daphne: He does. And you? I bet you have your pick now, any girl your heart desires.

Victor: (His face turns serious) Not true.

Daphne: (Muttering almost to herself) I never wanted, I never meant to…

Victor: Hey, I’m like an Arabian prince. All I have to do is point, my guards bring her to me.

Daphne: That’s racist. And sexist. Watch out, you’re in the public eye now.

Victor: (With a chuckle) I’m hardly famous.

Daphne: Didn’t you get a Silver Indy nod for Dreamless?You were robbed, in my opinion. 

Victor: That you liked it means more to me than any award.

Daphne: Well, I’m sure you have to get back to selling yourself. Don’t snub a potential distributer for little ol’ me. (She lifts her hand up before he can give her another compliment.) I just wanted to congratulate you on all your success.

Victor: (Sounding hopeful) Well, thanks, maybe we’ll…

Daphne: (Sounding unsure) Maybe.

Victor: (He abruptly grabs her hand)I’m here for you.

They share a warm smile. Slowly, Daphne withdraws her hand. Victor follows her with his sight as she slips out the exit. His eyes linger at the door after she’s gone. A middle-aged woman calls his name, stirring him from his reverie.

Victor’s Agent: (Gesturing to an older man in a suit) I’d like you to meet Rob, from Majestic Pictures.

Victor: (Shakes his hand) Nice to meet you.

Fade out

That “nice to meet you,” of course, would have been impossible without Daphne’s guidance. Others left him to suffer. Not her: she made it her mission to save him. It was the perfect ending to Inappropriate Touch. Yet, it could also occur somewhere in the middle. They might run into each other on the street. Victor could track down Daphne’s address, send her an invitation to his next screening.

I didn’t know for certain where this scene belonged. Regardless, it comforted me merely that it existed. No one was there for Daphne Shields, but Victor was there for Daphne. I hoped Josh realized I was there for him too.

I forgave him.

I loved him. I had no choice.

We needed each other, someone to be “us” with in a world full of them. With that affirmed, I set our story aside to write a new one.

Scott Bassis is a young writer eager to establish himself as a serious talent. He has had short stories published in Poydras ReviewThe Acentos Review, The Writing Disorder, The Furious Gazelle, Open: Journal of Arts & LettersImage Outwrite, Quail Bell Magazine, The Missing Slate, Jumbelbook, Furtive Dalliance, Fiction on the Web and Rainbow Curve.

Update

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Hold the Line by Matt Bender

There’ve been a few times in my life when circumstances led me to consider the chorus of Toto’s 1978 hit “Hold the Line,” which states: “Love isn’t always on time.” When I was young and first started falling in love I thought it was a terrible untruth because love was real, tangible. The chorus is the only line in the song worth pondering. The verses are a slapdash series of It’s not in the way that you ____ me statements, which, while I guess may speak to the elusive nature of love, have nothing to do with whether it’s “on time” or not.

I was driving on I-95 the last time “Hold the Line” came on the radio. One can never be sure, but I believe the frustration I was feeling at that moment and the disc jockey’s decision to throw that song on was the perfect handshake of time and space. If they ever explain String Theory that moment will be in there, along with it being the direct result of me having had an extramarital affair with a groupie for my band, Fit Wizards, in the parking lot after a show.

The band had been playing at this bar called The Brass Teat pretty consistently in the months leading up it. Stan, our guitarist, was renting out a practice space he’d slip into for an hour after work to nail down some of the more difficult, more crowd-pleasing solos required by our repertoire. Our drummer had been playing since he was a kid and could bang out a solo or even a round on the bongos if he wanted to. I played bass. I was not as practiced or experienced as them, but rocked a tremendous and well-manicured moustache, a thing that added stage presence as the other dudes were physically unremarkable. The moustache raised some eyebrows when I first started growing it, but people have since become accustomed. I like to think of it as a mascot, like, “Oh look, it’s the guy with the awesome moustache. Fit Wizards must be playing.”

The drummer’s name is Tommy. My name is Scott. We have a singer, too, but seriously fuck that guy. We’re not going to talk about him.

We had just finished our second set that night at the Teat. I was packing my gear when the Groupie approached me, just walked right up on stage, set her drink on my amp and started going on about how we rock, how our choice of cover songs were the soundtrack to her life. She asked how often we played and if I wanted to go out back and smoke a joint. It’s a cliché at this point: smoking joints leads to heavy petting, leads to her station wagon in the parking lot, a choose-your-own-adventure fest of trying to forget you have a spouse and a kid and probably she does, too, but the sex hasn’t been as wild since the kid came along and wifey sure as hell doesn’t put your dick in her mouth anymore. You wonder if Groupie still does it to her husband. She really does seem to have a knack for it.

Her and I walked back grinning and returned to our respective peoples. I wanted to tell my bandmates, especially Stan, but couldn’t, because our wives were all friends and I didn’t want to risk any rumors getting started. Notice that word: were. Also notice that Stan has a practice space. Sorry to point it all out like that. It’s not that I think you’re dumb, but it’s important to the story and the only thing that’s changed about humans in the last 5,000 years is that our attention span has gotten shorter. I got Stan to lend me a key, exchanged contact info with the Groupie and started meeting her for quick trysts at the practice space.

People get bored. People find something exciting. People fuck. 5,000 years.

I should also point out that I love my wife and kid. Throughout our time together I’ve always tried to be the best dad I could be. The wife and kid aren’t really part of this story, though. Let’s put the whole me having a family thing into the same bin we put the lead singer in.

Groupie was having a great time. She’d been trying to up her meetings at the space and trying to get some free bass lessons while she was at it. Piano had been her mother’s instrument, the one she grew up playing, but something about the way a bass note hums up the spine had an atavistic effect that made her lady-bits shiver.

They say you need to have a real connection to your art – not thinking of it as a job or a hobby, but an essential and serious component of your life – if you were ever going to be truly good at it. She felt she had that for bass, hot in the blood. Fucking at the practice space made sense in that she would show up early to run over some scales and whatever song she was working on for an hour or so before I got there, but then she sucked a bonus year of talent out of me as she pinned me to the floor and took me to the hilt.

She remained a succubus. An artiste. A prodigy.

The only time I ever saw Groupie with her husband was a Saturday afternoon while jogging on the nearby greenway. They were walking on the opposite side of the sidewalk towards me. I only half-recognized her at first and must have had a leering sort of look on my face as I passed them, ogling. I’d forgotten how pretty she is. I started singing The Beatles’ “I’m a Believer” and started one more lap. They were walking behind a big group of older women when I passed them again and I didn’t see them until the last second, slurring “I’m a belieeever!” as I huffed and puffed and jogged and sang like a drunk.

I told my wife I was going to start giving bass lessons a few days a week for some extra scratch, to which she said, “I didn’t know you were good enough to give lessons.”

That hurt. Made it easier to meet with Groupie.

We met so often that going home for dinner felt like stepping out on her. I did start giving her bass lessons, though, and she did pay me. She got some snot-nose kid who lives in her building to also come down for a weekly lesson and he paid me a little more than she did.

I tried to teach him about real music. Got onto James Carr, because he’s one of the most underrated soul singers of all time. His trademark is a track called “Dark End of the Street,” recorded in 1966, and is about a man (presumably Carr) meeting a married (presumably white) woman in the shady part of town. The duality of them having an interracial fling in the 1960’s, meeting in dark locations and fearing they might get caught is heartbreaking and the stuff of real drama in soul music. In the last verse Carr sings about how if they happen to bump into each other on the street and she sees him, she should just “walk on by” and not say anything, kind of like I should have done with Groupie and her man, although it’s very likely neither of them noticed me.

One thing that cracked me up about a lot of the dudes from the Golden Age of Soul is how they would put out records where every song is a testament to love and faith and marriage and the next day you’d see news about James Brown shooting out his girlfriend’s tires, Al Green getting a pot of boiling grits tossed on him, Marvin Gaye’s string of tumultuous and short-lived attempts at commitment. Stan said, “It’s because so much passion is required to belt out some of those tunes that it boils over into their personal lives.”

I think that’s bullshit.

Those dudes lived in a time when famous people could get away with anything, drinking hard liquor and grunting up a gram of cocaine for breakfast. The ladies of soul were, for the most part, much more well-behaved.          

Groupie was an Aretha Franklin fan from way back, back when her parents would put records on and she’d dance around in the living room. When Franklin died in 2018 the whole city of Detroit celebrated for over a week in her honor. Groupie didn’t cry, but she did buy a “Best of Aretha” compilation and listened to it for a week straight while driving back and forth from work. She figured out how to play “Respect” on bass, a skill that caused Scott to laugh and say, “The student has become the teacher.” The whole day had been going well until later that evening when a group of 20-somethings drove by and one of them yelled “Suck my dick, ho!” from the car window.

TLC released “No Scrubs” in 1999 and Gwen Stefani released “Ain’t No Hollaback Girl” in 2004 which, in my mind, makes them thematically-related, the lyrics about dudes (scrubs) with barbed-wire tattoos on their biceps holla-ing from car windows and are you the type of girl who hollas back or not? With all that’s been written and said about street harassment it’s a wonder any dude does it, or even thinks it possible that a romance might begin with a catcall.

The greatest song ever recorded is The Talking Heads’ “This Must Be the Place.” I’ve argued with friends about whether the album or the live version is better but, honestly, they’re both just fucking awesome and you can take your pick. They have some other good songs, but this one is the best.

The original title of this story was going to be “Liberal Snowflake Freaks Out!” and involve an encounter where I detail how I freaked out on Groupie, got caught on camera and it went viral. The wives might not have all been friends by the end of the story, which may or may not have involved me getting busted for the affair and people taking sides. Groupie was potentially in a polyamorous thing with her man, everything cool with them at the big reveal. But hasn’t that been done before?

At least you got a decent sex scene and helped smash the old archetype of love and death and redemption. No Hero, no Sage, no Quest. The music stuff was fun, too.

Matt Bender is the former host of the online FreeSongProject and has been working in the international school system for the past 10 years. He currently teaches American Literature in the garden city of Guangzhou, China – home of dim sum and the Cantonese language. His work has been published in Perfect Sound Forever, Scribble and Stone Highway Review. He also worked as a journalist for Word Vietnam magazine throughout his time in Ho Chi Minh City. Read his non-fictions online at Medium.com/@benderbbender.

Know Guns by J.L. Higgs

“Hey, Dad. Grandpa’s got a gun!”

“What the fuck,” Cheryl mouthed to me. Our eyes locked, and I dropped the suitcases.

From where I was, I couldn’t see our seven-year-old son, Jack. We’d arrived at the cabin near dusk. Though we’d been delayed in the Friday traffic heading north from the city, Hank’s car was nowhere in sight. While Cheryl and I had been unloading the car’s trunk, Jack had dashed inside and straight upstairs to the bedrooms.   

Guns had always been a part of my life. I’d grown up in a rural community. As a boy, we played army almost daily. Our fathers had served during the last war. Even though we were kids, we all expected that when the time came, we’d do our duty as well. In the evenings we watched TV on our old Dumont and the good guys always won. Cavalrymen defeated Indians, the Japanese were beaten by our soldiers, and in the shoot’em up Westerns, the lawmen always triumphed.

The one common denominator: guns.

The scales always tipped in favor of the good guys not just because they were the good guys, but because they were also good with their guns. Back then, the fact that the victors were always white never made an impression on me. Few people who looked like me appeared on TV in those days. We knew Johnny Weissmuller and Maureen O’Sullivan actually lorded it over white actors in blackface.

Between all the kids in my neighborhood, we had everything we needed for our war games. Helmets, canteens, pistols, machine guns that made rat-tat-tat-tat-tat sounds, and air rifles. I liked the air rifles. You could shove their muzzles in the ground, then blast the compacted dirt out their barrels. Sometimes we’d have to temporarily halt our games to settle who shot and killed who first, but when we were called in for dinner, the living and the dead always arose and went home.   

As a kid, I swore when my time came, I was going to be a Marine. They had the coolest uniforms. When my cousin, Tommy, joined up he’d went into the Marines. He was strong and tough. He carried himself with a swagger us younger kids envied and tried to imitate. 

Through him, I met Roy. Roy was the local Marine Recruiter. He shared a recruitment office in the basement of our Post Office with a Navy recruiter named Sandy. A full-size cardboard cutout of Uncle Sam stood outside it with “I want you” emblazoned across his chest and his huge finger pointing at me. The words seemed less a request than an order.

Despite our patriotic leanings, when our turn actually came around, my friends and I wanted no part of it. There was a real war going on in the jungles of Southeast Asia. Many people sent far away returned dead. Others like my cousin Tommy, who survived seemingly intact, came back changed. Whether they were even alive and not the walking dead depended on your point of view and definition of living. That was when I learned that in the real world, being a good guy and good with a gun didn’t always ensure a favorable outcome.

  As I walked to the base of the stairs only one thought went through my mind, Dear God, please don’t let that boy be holding that gun.

“Jack,” I called out. “Where are you?”

“In grandpa’s room,” he said.

“Well buddy, you need to get out of grandpa’s room. I’m not sure he’d want you in there. Why don’t you come down and help me bring the bags upstairs?”

“Dad?”           

“Yeah, buddy.”

“How come grandpa keeps a gun behind his door?” He came into view, half carrying, half dragging the gun.

I glanced at Cheryl. Her eyes were filled with terror.

My throat went dry as I moved closer to the stairs. I’d never imagined ever being on the wrong end of a gun. 

“Jack,” I said. “You know we have rules about touching other people’s things without asking first.”

“Yeah.”

“Well, then you know that you shouldn’t be touching grandpa’s gun.” I swallowed deeply. “I want you to lay it on the floor very carefully. So you don’t break it. Because that would make grandpa sad.”

“Okay.”

I held my breath.

Jack laid the gun down. Then he bounded down the steps and into the front room.

Cheryl grabbed him and held him tightly. She kissed the top of his head again and again. 

I walked up the stairs, picked the gun up off the floor, and checked the safety. Then I pulled back the bolt and looked in the chamber. Nestled inside was a live round. I sat the butt of the gun on the floor, leaned it at an angle, and plucked the round out. Then I put the gun back in Hank’s room.

“Was it loaded?” asked Cheryl as I rejoined her and Jack in the front room.

I nodded.

“Goddammit.” She cursed more in the last few minutes than in all the year’s I’d known her. Anger poured out of her so fast I didn’t even try to keep up. Finally, she stopped and stood there with tears running down her face.

“It’s okay.” I  wrapped my arms around her. “Everyone’s fine. No one got hurt and…”

The sound of a car door slamming made Cheryl charge from my arms and out the front door like she was on fire. Before Hank could straighten up she was on him. Though I couldn’t hear a word, from the way her arms were waving around, she was giving him hell.

Hank just stood there absorbing every blow. Finally, she swatted his arm, then steamed off down the path that led to the pond.

I opened the cabin door and Hank, his arms full of grocery bags, came in. He looked at Jack and me. Without saying a word, he sat the bags on the kitchen counter and emptied them. After placing the perishables in the refrigerator, he put the canned goods in the kitchen cabinets.

“Grandpa, where’d mom go?” Jack dragged a stool over to the kitchen counter. He climbed onto the stool as Hank continued putting away the groceries.

“A walk.”

“Why’d she go for a walk now? Doesn’t she know we’re going to eat soon?”

“She knows.”

Hank had grown up hunting. The prior year, he’d invited me to go deer hunting with him. I’d agreed to go. It’d been years since I’d had venison. Some folks didn’t care for its strong flavor, but I did. 

Sitting on the beat up boards of the stand in a tree, our guns lying across our laps, there was nothing to do but wait. Deer hunting required silence and patience. You waited, listened, and hoped. In the days before, Hank had checked for tracks, droppings, and patches on tree trunks where deer had rubbed away the bark with their sprouting horns. Based on what he’d seen, he’d concluded that deer were passing beneath the stand on a regular basis. So, that was where we waited.

Hank and his four brothers had built the stand. The scrap wood steps they’d nailed to the side of the tree had been replaced many times over. Most recently around the year Jack had been born.

The first time Cheryl had said she wanted me to come home with her and meet her father, I’d shook my head and said, “I don’t think that’s a good idea.”

“Why not?” she asked.

“I think that’s rather obvious,” I replied.

“Scientifically speaking, there’s no such thing as race,” she countered.

“Yeah,” I responded. “Well, this is America, not some science convention.”

She sighed, looked me in the eyes and said, “You don’t know my father.”

Damn right and I don’t want to, I thought, envisioning pitchforks and burning crosses materializing out of thin air if he were to lay eyes on me.

Seeing my raised eyebrows, Cheryl had laughed. “Don’t be such a wuss,” she said. “Everything will be fine.”

Despite my doubts, I ended up going home with her and was shocked to be proven wrong. From the moment I met Hank, he never displayed a single moment of concern or hesitation regarding Cheryl and me. His approach to raising her had been to try to equip her with the ability to make good decisions. Then he’d accepted the fact that it was up to her to make her own decisions. Nothing was more important to him than her happiness. That included me, and Hank’s attitude was that was fine with that.

The same had been true when Jack was born.    

“I’ll be back,” I grabbed two jackets from the pegs near the cabin door and slipping one on.

As I walked along the path to the pond, I tried to think of what to say to Cheryl. She didn’t hunt. In fact, she hated guns. When we’d learned she was pregnant with Jack, one of the first things she made me promise was, no guns.

At the time that seemed easy enough. I was familiar with guns, but didn’t own any nor did I feel inclined to, but what I hadn’t realized was that when Cheryl had said no guns, she’d meant, no guns

No water guns, no air rifles, no BB guns, no kind of toy or real gun, period. Even the game at the county fair where you shoot water into the mouth of the clown to see who can get their balloon to pop first and win a prize was banned. No guns meant, no guns.

Once Cheryl’s no guns policy had been established there were times when it had led to some awkward situations. Like when she was ready to return to work after Jack had been born and she wanted to place him in a home daycare. We’d be interviewing potential care providers and everything would seem perfect. Then she’d look at me and I’d know it was time to ask the deal breaker. “Are there any firearms on the premises?” 

A yes answer immediately eliminated that care provider. Rationales, explanations, reassurances about safety – gun safes, locks, ammo kept separate from weapons, etc… were a worthless use of breath. Any guns, no Jack.                    

Cheryl had never mentioned she was a crack shot. It was Hank who told me. He’d said that when Cheryl was a little girl, he taught her how to handle a rifle. According to him, she was a natural. Her hands were steady, she was calm, and she breathed just right. She could zero the sight and barrel with such accuracy that hitting whatever she was targeting was a sure thing.

As Hank explained it, Cheryl never had any qualms when it came to guns until the summer she turned fifteen. That year he’d sent her away to spend time with her grandmother and the rest of her mother, Betty’s family. After Betty’s death, he’d moved the two of them back to the town where he’d grown up and he felt it was time she got to know them. Unfortunately, when a local boy pointed out Cheryl and said, “ain’t she the girl whose mother killed herself”, she learned the truth concerning her mother’s “accident.”

When Cheryl confronted Betty’s family they admitted she had placed the muzzle of a shotgun in her mouth and pulled the trigger. Hank had arrived home from work that day and found his wife’s brains splattered on the dining room wall and a screaming infant girl. He’d then sold the house and moved back to his hometown.  

Everyone had done their best to reassure Cheryl that what had happened had nothing to do with her. They explained that nowadays people called what Betty had had post postpartum depression. But back then, it had no name. Instead, people figured that sooner or later Betty would stop feeling blue and get back in the swing of things. Following that summer, Cheryl wouldn’t touch a gun.

I knew it was impossible for me to understand how Cheryl’s mother’s suicide had affected her, but sane or not, her mother had made her own choice. Hank then also made his. He’d done his best to raise a little girl on his own and shelter her from the horror of what had happened to her mother.

There was no way he could place the blame on a gun. Guns had been a part of his family’s way of life for generations. Every member of his family that I’d met had a deep respect for guns. They’d established inviolate rules about responsible ownership and passed them down from generation to generation. 

To them, guns weren’t good or bad. They were simply tools in the hands of whoever held them. I respected Hank’s family, and I respected their guns, but in general, I struggled to understand white people’s obsession with guns.

In rural communities where people hunted deer, rabbits, and turkeys, having guns made complete sense to me. When I lived in the country, I’d killed my fair share of destructive varmints, woodchucks that wouldn’t accept the fact your garden was off limits, the same with foxes and your chickens, but Cheryl, Jack, and I lived in suburbia. Why did there seem to be more white gun owners and collectors there? Definitely more than I’d ever known while living in the country, blacks and whites combined. And so many of the weapons they owned were clearly designed for war. 

Were some of these people consciously or subconsciously doing exactly that, preparing for war? Based on daily news reports, things were just as bad in cities. Young black men killing other black men, Latinos killing Latinos. There was nothing to hunt in suburbia or cities, they were just full of people.     

As I came around the bend and into the clearing, I saw Cheryl sitting on the pond’s battered wooden dock. She was staring at the water. I walked up and placed the jacket I was carrying around her shoulders. Then I sat down beside her. Small circles formed on the water’s surface. Each steadily expanded outward like a smoke ring until it could no longer maintain its perfect form. Then it broke apart and disappeared.

“It was an accident,” I said.

“I know,” she replied, a painful sadness in her eyes. “I know Hank would never do anything to hurt Jack.”

“You ready to head back?” I got to my feet.

“Yeah.” She took my hand and standing up.

We walked back toward the cabin side-by-side in silence. At one point I squeezed Cheryl’s hand, and she squeezed mine in return. As we drew close to the cabin, there was a strong smell of smoke in the air. A fire was going in the burn pit. Its flickering flames lit both Jack and Hank’s faces and they were each holding a stick with a hot dog over the flames. 

“We’re hungry,” said Jack. “We started cooking.” He smiled. 

Cheryl walked over to the packages of hot dogs and buns on a plate near Hank and took out two hot dogs.

“There’s sharpened sticks over there,” said Hank keeping his eyes focused front.

She grabbed two sticks, shoved a hot dog on the end of each and handed one to me. I grabbed a bun and walked over to Jack.

“Hey, buddy. I think yours is done,” I said. 

“But I like it burnt.”

“No, you don’t.” I took hold of his stick and pulled it from the fire. Then I slid his hot dog off the stick and into the bun. I handed it to him and he took a bite.

“Good?”

“Uh huh,” he said, bits of hot dog and bread falling from his mouth.

“Dad?”

“Cheryl.”

“Yours looks done.”

“So it is.” He pulled his hot dog out of the fire and blew on it. Then he took a bite taking care not to burn his lips or tongue.

Once we all had our fill, Jack’s being two, Hank pulled out a bag of marshmallows. He stuck a single marshmallow on the end of Jack’s stick, then his. Then he proceeded to show Jack how to roast marshmallows without charring them.

After Jack had eaten four or five marshmallows, Cheryl told him he’d had enough and it was time to start getting ready for bed. Jack opened his mouth to begin his nightly negotiations, but Hank stepped in.

“Mind your mother,” he said. “If you’re quick about it, there’s a couple of empty jars in the kitchen we can use to catch some fireflies.”

With that as an enticement, Jack was gone in a snap.

“Thanks,” said Cheryl to Hank. “Any more sugar and he’d be totally wired tonight.”

“Like his mother used to get.”

“Yeah,” replied Cheryl. “Like his mother used to get.”

Jack came charging back out the door. It slammed behind him.

“Whoa,” I said seeing his bare feet. “You need something on your feet.”

“But…”

“Hey, where’s my jars?” Hank rose to his feet. “Come on.” He scooped up Jack in his arms. “We can get something for your feet and the jars.”                 

As Hank carried Jack back inside, I walked over to Cheryl and began massaging her neck and shoulders. 

“Better?”

“Yeah.”

“You want to catch fireflies?”

“Not particularly.”

“Then I guess we should leave them to it and tidy up things inside before bed,” I said.

Cheryl nodded. We wrapped an arm around each other’s waists and walked back to the cabin. Jack and Hank passed us heading in the other direction on their way to catch fireflies.

The next day, Saturday, passed without incident. In the early afternoon, we went swimming in the pond. Later, Jack and Hank went for a nature walk. While they were gone, Cheryl and I stayed behind and drove ourselves crazy working on a one-thousand piece jigsaw puzzle. That evening Cheryl made dinner and things seemed to have returned to normal.

On Sunday morning, I thought it’d be best to get an early start. That way we’d avoid the weekenders, who were also returning home. When I awakened I could smell coffee. In the kitchen, Hank and Jack had been busy making a mountain of waffles. With his eyes as big as platters, Jack had crammed so many waffles into his mouth, he looked like a chipmunk. 

“You’d better slow down, buddy.” I rubbed his head as I slid onto a stool at the counter. 

Hank handed me a cup of steaming hot coffee. “She alright?” He gestured with his head in the direction of the loft where Cheryl was still sleeping.

“Yeah,” I replied. “She’s fine. You know how she is about guns.”

“Yup. Sure do.” Hank took a sip of his cup of coffee. “We good?”

“Of course.” I picked up my cup, toasted him with it, then took a sip. “Good coffee.”

“You know I’d never want any harm to come to the boy.”

“I know.”

“Well, just as long as you know.”

“I do.”

“Dad, what are you and grandpa talking about?” asked Jack, reminding us of his presence.

“Nothing, buddy. You need to finish your breakfast.” I got up from the stool and headed back to the loft, coffee in hand. 

Cheryl was awake but still wrapped in the bedsheets. When she saw me she sat up and scooted backward until her back was against the bed’s headboard. I handed her the cup of coffee.

“You make this?” she asked.

“No,” I said. “Your father did.”

“Good. You make lousy coffee.”

“Well good morning to you too,” I said.

She laid a hand on my wrist. “I take it he’s up.”

“Yeah. The kitchen’s waffle world.”

“I better go down there.” She handed me the coffee and leaped out from under the sheets. “He’ll let Jack eat as many waffles as he wants. The last thing we need is Jack getting car sick on the way home.”        

While Jack, Hank, and Cheryl continued with breakfast, I began packing. I’d finished with Jack’s things and started in on mine when Cheryl returned and joined in.

“He seems okay this morning.” She balled up a sweatshirt and tossed it into her suitcase.

“Uh Huh.”

“Look, I know he didn’t mean for it to happen, but…”

“I know,” I said. “It’s okay.  I understand.”

Cheryl resumed packing. I snapped the locks on my bag shut, then went and got Jack’s bag from the other room. Outside I skirted the edge of the burn pit, made my way to the wagon, and deposited the bag in the trunk. As I walked back to the cabin, I stopped at the burn pit for a moment, then continued on.  

Cheryl had finished the packing and brought the last of our suitcases downstairs to the front room. I tucked one of the small bags under my arm and grabbed each suitcase with a free hand.

“Let me help.” She slipped the small bag out from under my arm. She grabbed the door, and I shuffled through. We placed the suitcases in the trunk, then headed back to collect Jack.

“Did you notice?” I nodded toward the burn pit. 

Cheryl stopped and stared. Scratched in the pit’s ashes were the words, Jack & Grandpa.   

“That’s nice,” she said.

“Look there.” I pointed at the large clump of ashes after the final “a” in grandpa. 

Her eyes followed my finger, then stopped. Barely visible was what remained of the stock of the gun Jack had found when we’d arrived on Friday.

“He didn’t.”

“He must have.”

Cheryl shook her head and we resumed walking.

“You all set?” asked Hank as we set foot back inside. 

“Yup,” I replied. “We’ll be seeing you.” I waved, took Cheryl by the elbow and pretended to leave.

“What about me?”

“You who?”

“Me. Jack. You can’t leave without me.”

“Darn,” I said, smiling at my son. “I thought we were forgetting something.”

Cheryl took Jack by the hand and the four of us went outside to say final goodbyes. As Cheryl buckled Jack into his car seat, Hank went over to Jack’s open window, thrust in his hand, then quickly withdrew it.

“I’ve got your nose.” He held the tip of his thumb between his forefinger and middle finger.

“Give it back.” Jack squirmed in his seat.

“Alright.” Hank  reached back in and touched Jack’s nose. “Only as long as you promise to come visit me again real soon.”

“Dad, I love you.” Cheryl, gave Hank a hug.

“I love you too, little girl.” He hugging her back.

“Hank.”

“Jim.”

“You take care.”

“You too. Look after my little girl and grandson,” he added as Cheryl and I got in the car.

I started up the wagon, stuck my arm out the window, and gave Hank a wave as we began making our way down the cinder driveway. In the rearview mirror, I could see Hank standing alone waving goodbye.

“You all stay safe,” he yelled. Then he turned away and headed back toward the cabin.

J L Higgs’ short stories typically focus on life from the perspective of a black American.  He has been published in over 30 magazines including: Indiana Voice Journal, Black Elephant, The Writing Disorder, Contrary Magazine, Literally Stories, The Remembered Arts Journal, Rigorous, and was nominated for a Pushcart Prize.

He currently lives outside of Boston.

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Tenderloin by Steve Carr

In this room I’m hidden by a camouflage of poverty. It’s a small room with a bed that pulls down from the wall, a Murphy Bed they call it. To me, my bed is Murphy. There are no sheets or covers on Murphy and the mattress has a tear in the middle and its intestines are sticking out. I have no pillow but I rest my head on a helmet and dream that I’m somewhere else other than this room.

There’s a dresser with five drawers but I only use the bottom one, hiding my papers there: my army discharge papers, high school diploma, newspaper articles about me winning swimming competitions when I was in high school. Everything else I own, my civilian clothes, my army uniform, army boots, two thirty pound dumbbells, and my emptied duffel bag, are scattered about on the floor forming small mounds that I step over like the dead bodies I stepped over in Iraq. The mirror above the dresser has a crack that looks like a scar.

The walls have the wounds of neglect, cracking green paint and peeling yellow wallpaper. There’s a window with torn plastic curtains that looks out on the busy street and the small grocery store across the street. No one going by on the street or in and out of the store knows I’m watching them through the holes in the curtain. This room is my bunker.

I still wear my dog tags. They remind me of who I am, or was. Alone in this room it’s easy to forget a simple thing like my own name. Looking into the cracked mirror; its scar becomes my scar, an injury across the smooth flesh of my muscled chest.

I came back from Iraq, from the army, uninjured but not unscathed. No one can see the damage but me. I see it in my reflection; my blue eyes hold the injuries of witnessing what no man should see. My biceps, triceps, forearms, pectoral muscles, abdominal muscles, glutes, quads and calves are strong and well developed, but identity isn’t. It has gotten lost along the way.

Lifting dumbbells in front of the mirror I watch the armor that is my flesh ripple with every arm curl. In this room no one can pierce my armor. Out on the streets, it’s a different story. It’s a dangerous place called the Tenderloin. It’s the bruised underbelly of this city and I am now part of the bruise. It takes strategic thinking about when to venture out, so I when it is dark I watch through the holes in the curtains, for the time that is right to infiltrate those who inhabit the city streets.

***

Against this wall at night, one booted foot against it, my knee bent, my back pressed against the heat of the summer-heated bricks, I can only be seen by those looking for me; not me exactly, but the type of me they are looking for. I wear my sand color camouflage fatigues and a tight black t-shirt and black army boots but in the darkness where I stand I am the same color as the shadows.

The warm winds blow and tousle my short blonde hair. Rivulets of sweat run between my shoulder blades down my spine and the middle of my pecs. This is the weather of Iraq without the sand. I inhale the drifting toxins of the city: gas fumes, rotting trash, urine. From this location I spot the window of my room, the light left on like a safety beacon.

“How much?” A middle aged man in khaki shorts and a blood-red polo shirt passing slowly by asks me.

“Not interested,” I say.

“I’ll make it worth your time,” he says.

“My time isn’t for sale.” I shift the other boot against the wall.

He moves on, targeting another inhabitant of the shadows not far from me. Their muffled voices are low and indecipherable until they depart into the alley. The sound of what they are doing with their bodies blends into the multitude of other sounds on this street: seller and buyer.

I separate myself from them and focus on the prostitute across the street adjust her neon pink stockings, Jade. Her hair is down tonight, separated down the middle and hanging around her face like a hajib of hair. I know her, not modest or religious, her hair doesn’t fool me.

A car pulls up to the curb beside her. She leans into the open passenger side window of the car. Apparently there is no agreement on the terms so he drives off leaving Jade now adjusting her halter top. What she wears is her uniform. She catches me and waves. I wave back.

She walks on and I realize how alike we are. Jade and I, both survivors of different kinds of war. Her war is the streets of the Tenderloin and I left the war in Iraq to enter this one in Jade’s territory. It’s a different combat zone.

“Have a cigarette?” a young man in tight jeans, a button down blue shirt and wearing cowboy boots asks.

“I don’t smoke.” I set my jaw.

He leans against the wall so close his cologne and after shave surround me. I’ve seen him before. He is a wanderer, one of the many who are always walking these streets. I’ve seen him through my curtains going in and out of the store, and up and down this street. His brown cowboy boots are well-shined. I notice those kinds of things. I’ve named him, Boots.

“Hot night.” Boots glances up at the starless sky.

“I’ve seen hotter,” I tell him.

He leans even closer to me. “I have some brown sugar,” Boots whispers as if it was a secret that no one in the Tenderloin had ever heard before. “We could go to my place.”

“No thanks,” I tell him.

The two have come out of the alley. The man in the shorts adjusts his belt and hurriedly walks past me. The other one stands at the entrance of the alley surveying the landscape and in the half-light he looks young, illegally young for what he is selling, which in itself is illegal.

He walks the other direction and escapes into the night. I am an observer, where strangers briefly become allies. I have several lookout posts in the Tenderloin, but this one near my room is where I mainly station myself. Boots nervously taps the toe of one of his boots against a crack in the pavement. He is as watchful as I am, but I can only guess what he is watching for.

 Back in the room I remove my sweat-soaked t-shirt and stand in front of the mirror and while the scar is still there, there are no fresh wounds; not on me or on the mirror.

***

Lying in the dark on my back on Murphy I’ve pushed the helmet aside and am staring up at the ceiling. Light from the grocery store’s white neon sign shines through the holes in the curtains to form bullet holes and grenade beams between the cracks that are like lines on a terrain map on the ceiling.  The ceiling fan does not work and is idle and useless. The room is even warmer than outside.

I’ve taken off all my clothes and deposited them on a mound of other gear. I sweat. It drains from my pores. This being naked, it is a test of my sense of safety. I’m not vulnerable in the room, only when I leave it.

Beneath the naked flesh of my back, Murphy’s protruding innards push into me. It’s a test of endurance, my ability to sustain the feeling of discomfort, so I don’t move. I hear a brief scream from outside as I drift off to sleep. I’ve heard screams before, when awake and not awake.

Morning comes with the subtlety of a tank rolling across hard earth. The sound of heavy traffic breaks through the barricade of my dreams. Eyes open, I glimpse the ceiling as it is in the light of day, a canopy of cracked plaster. I don’t move. My naked body adjusts to the dryness of the daytime heat.

Sweat sticks to my skin; I’m an evaporated salt lake with nothing left but granules. My skin has adhered to Murphy and as I rise up I pull some of Murphy’s insides with me. I sit on the edge of Murphy and survey the landscape that is the room. It’s a wasteland of neglect.

With a towel around my waist I go to the only bathroom on this floor and stand outside it waiting for whoever is inside. Around me is the carnage even worse than that in my room. Everything needs repair. After the sounds of the shower cease, the door unlocks moments later and the old man who lives in another of the rooms, comes out in a tattered purple bathrobe. He wears the difficulties of his life on his face like a mask of despair.

I go in as he goes down the hallway toward his room. I lock the door and undo my towel and urinate in the ringed toilet bowl. There is no brush to clean it with even if I wanted to. Every part of the building outside my room echoes. My urine hits the water in the toilet bowl and reverberates around me like choppers just as they land.

I read the graffiti on the walls as I have every morning. Nothing new is added. The writers moved on or grew tired of deciphering each other’s codes. Finished, I step into the shower, turn it on, and let cool water rinse the night from my skin.

My time in it is brief and after shaving I go back to my room. A yellow note sits pinned on my door. I open it and read: “Rent Past Due. Payment in full required. Management.”

In the room I dig beneath the papers in the bottom drawer of the dresser and take out the white envelope that I keep my money in and flip through the bills counting up the total. There’s enough to pay half the rent if I include what little is in my pants pocket. Sitting back on a mound of clothes, the softness is like a dead Iraqi soldier’s body I sat on while getting my picture taken. I pull one of the articles from high school out of the drawer and look at the picture of me when I was a champion swimmer in a pair of Speedos.

My body has changed.

I’ve changed.

The names of my parents are in the article: Bill and Doris. In the room they are just names on a yellowing piece of newsprint. I fold the article and place it back with all the other emotional contraband and close the drawer. Naked, exposed but unable to be seen, I stand at the window and peek through a hole in the curtain. Even in the brightness of the morning sun the shadows are everywhere in the Tenderloin.

In a different pair of fatigues the same color as the others and a different t-shirt, also black, I leave the room and exit the building to step out into the fury of noise and odors that is the Tenderloin on a weekday. Crossing the street to the store I see a man in a suit standing in my location. He’s reading a newspaper, an innocent occupier in my nighttime territory.

The store is cool and surprisingly quiet. The Korean man behind the counter is Mr. Chin. It’s not his real name. It’s the name I have given him. He has a mole in the middle of his chin and Mr. Chin sounded more Asian than Mole.

His age is hard to determine but his jet black hair is lined with strands of gray and his eyes have the weariness of age. Placing a carton of orange juice and a pack of fig newtons on the counter I don’t call him Mr. Chin. I don’t call him anything.

“How are you today?” he asks in a very formal way as always. “It looks like it’s going to be another hot day today.” He tallies the cost of my two items on the cash register.

“I’m used to the heat.” I hand him money.

Mr. Chin is always here it seems, night and day. He’s a motionless target in the Tenderloin where enemy combatants roam. Without knowing why, I worry about him. “Don’t you ever sleep?” I ask.

“I have insomnia,” he says. “Keeping busy takes my mind off wondering why I’m always awake.”

“Sleeping isn’t all it’s cut out to be.” I refuse a bag for my juice and cookies.

“Neither is being awake.” He smiles and I leave the store.

Finding a place to sit on a wood crate at the entrance of the alley, I sit down and open the carton and fig newtons. The alley reeks of refuse and stagnant water and in the heat is a noxious mixture that kills the taste of the juice and cookies. Stuck on the wall near where I’m sitting is a used condom glued there with bodily fluids like a medal of honor in a whorehouse. I’m unable to finish what I bought for my breakfast. I toss the half-empty carton of juice on top of garbage in an open trash can and wrap the package of fig newtons in my hand to be eaten later.

***

On a street in Baghdad I was accosted by a man who spoke no English but was definitely trying to warn me about something. When a bomb exploded a hundred yards up the street in the direction I was headed, I realized what he was trying to say. Paxton Street is much the same way; I feel like a foreigner always headed for unspeakable danger. I was told that it has improved over the years, becoming in some parts more gentrified, but I see few signs of it.

When I run into Boots coming out of an adult book store he’s more surprised to see me than I am to see him. I look down. He’s wearing the same cowboy boots.

He nods. “You always look like you’re dressed for combat.”

“I am.” I grip the cookies until they’re crushed. “Listen,” I say hesitantly, knowing I am about to enter a mine field. “I need to earn some money.”

“What are you willing to do for it?” he asks.

“Not what you think.”

A car drives slowly by and the driver taps the horn. Boots waves him on and the car continues up the street. “I know this guy looking for just your type,” Boots says.

“I told you, I’m not looking to make money that way.”

“I know,” Boots says. “This is something different. It’s not even illegal and the guy has lots of money and is willing to pay.”

“What does he want?” I ask, feeling as if Boots is that Iraqi but only I am being led into danger and not being kept from it.

“Meet me tonight at your usual spot and I’ll bring him along. You guys can meet and if you two are cool with each other he can tell you himself.”

“What do you want out of it?” I ask.

“I’ll get my take from him afterward,” he says.

***

In the afternoon I put the window up. Hot air blows the plastic curtains into the room. Their ends snap like muted gun fire.

I stand in front of the mirror and do arm curls. This combined with squats and crunches done between the mounds of my belongings is my daily routine. My dog tags tinkle against each other with every lift. On the top of the dresser the empty package of fig newtons rustles in the breeze. I’m readying myself for something; a secret mission.

With each curl I exhale in and out the smells of the Tenderloin and the odors in the room. My clothes lay on Murphy. I haven’t washed them for a week and they’re thick with sweat. When I leave the room and then come back in it’s my scent I smell first, then that of the city. 

Looking into the mirror is therapy. It reassures me along with the scent in the room that I exist, that I fought in Iraq and lived.

It’s me I’m looking at in the mirror when there is a knock on the door. I put on my pants and open it cautiously.

“Did you get the note I pinned on your door?” It’s Beard. That’s not his name but he has a beard that reaches down to his stomach. It was the first thing I noticed about him and before I knew his name. He’s a big man, obese not muscled. He’s proud of his job as manager of the building. I know this because he told me so.

“Yes, I got it,” I say.

“Are you going to be able to pay your rent by tomorrow?” Beard looks around me at the room and grimaces.

“Yes,” I tell him. “I’m making arrangements to get it tonight.”

“Good,” Beard says. “I don’t like to throw veterans out if I don’t have to.”

“You won’t have to throw me out,” I say.

He takes another look at the room, the hills of my belongings. “I’ll be back tomorrow and you can give me the rent then.” He turns and walks away.

I shut the door and put on the rest of my clothes. Without me or my clothes Murphy looks naked.

***

At twilight the store is busier. At the freezer I see through the glass there’s one burrito left. I open the door and take it out. I stare at the microwave instructions printed on the back. My diet sucks and the food I put into my body does not nourish me.

In the Army I was fed well and had a roof over my head as well as a steady paycheck. The only cost was the possibility of being shot or blown up. I put the burrito in the microwave at the back of the store and while waiting unscrew the cap on the water. I’m prepared to have my supper even before I get in line at the counter.

After Mr. Chin takes care of another customer, I step up and put the heated burrito and the water on the counter and take out a few dollar bills from my fatigues pocket. Before he puts his fingers on the cash register he says “You seem like a nice guy. I could use some help if you’re interested in working here.”

“Sure,” I say. “When do you want me to start?”

“Is tomorrow morning, okay?” He tallies up the price of my purchase on the cash register.

“Sure.” I pick up the burrito and bottled water and leave the store.

The street is bathed in fading sunlight as I cross it and take up my place at my lookout. In a matter of minutes even before the sun is completely down the young man – the kid – that was here last night takes his place in the same spot he was in last night. I quickly eat the burrito and down the water and walk over to the entrance of the alley and toss the burrito package and empty bottle in the trash can.

I’m looking at him and he is looking at me. He seems as if he stepped out of one of the photos of me in one of the newspaper clippings. I think of him as the me back then and name him, Me.

Me is wearing a tight white t-shirt with gold lettering on the upper right chest that says All-American.

“What are you looking at?” he asks.

“You shouldn’t be here,” I say.

He leans back against the wall and crosses his arms over his chest. “It’s a free country. I can be where I want.”

“I meant you shouldn’t be using this disgusting alley to conduct your business.”

“You know a better place?” Me asks sounding partially sarcastic and partially honestly inquisitive.

I think about my room, not because I would offer it to him, but it’s the only safe place I have known for the past three months. “No.”

I return to my spot and prop my boot against the wall and watch the shadows turn to night along the street. Me almost disappears in the darkness, his white t-shirt partly visible. I’m lost in thought, thinking about working at the store. It isn’t much but it’s enough.

Jade suddenly pops up in front of me. She has changed her uniform. She’s wearing a tight yellow vinyl skirt and a bright green bikini top. She almost towers over me in her knee high boots with spiked heels. Her hair is wound around her head like a turban.

“I saw you talking to that little sleaze ball who wears the cowboy boots. If you’ll take my advice steer clear of him. He’s connected with some pretty strange dudes.”

“Okay, thanks,” I say.

Au revoir.” Jade crosses the street. Her heels click like small firecrackers on the pavement with every step she takes. It reminds me of Fourth of July parties with Bill and Doris. It also reminds me of the sound of tracers being shot into the night sky.

***

Neither Jade or Me have seen any action. We three occupy our territories being watchful and restless, each for different reasons. The light shines through the window in the room, reminds me I have somewhere to go for rest and relaxation. I have it for now at least.

I spot Boots and the man with him as they walk toward me. In my head I instantly name the man, Swagger. It’s how he walks, as if he owned the world. As if about to undergo military inspection I stand up at parade rest. Boots and Swagger come up to me.

Without really acknowledging me, Boots turns to Swagger and says, “See, I told you, just what you’re looking for.”

Swagger is wearing a t-shirt and jeans and is nearly as muscular as I am. He looks me over from boots to my hair.

I feel like a mannequin in a store front window being examined for the cut of my clothes.

“You’ll do just fine,” he says.

“Do just fine for what?” I ask.

He raises his left hand to swat away a gnat and I see a wedding ring on the third finger. “I’d rather not discuss it here,” he says as if what he has in mind will be broadcast by loud speakers throughout the Tenderloin. “You must live nearby. Can we go there?”

Boots shuffles his feet on the sidewalk, the scuff of it is an annoying distraction. “Don’t you have somewhere else you can be?” I ask him.

“Oh, sure.” Boots turns to leave. “I’ll catch up with you later for my cut,” he says to Swagger. He walks toward Paxton Street, stopping in front of Me and whispering to him. They walk on together.

“I don’t do anything sexual,” I tell Swagger.

“What I’m looking for isn’t sexual, at least not in the usual sense. You could make up to five hundred dollars.” He reaches into his jeans and pulls out a roll of money held together by a rubber band. “But I don’t want to do this if you don’t have a place we can go to.”

No one other than me has been in the room since I moved into it. Even Beard has not gotten any further than my open door. “We can go to my room,” I say reluctantly. When the sound of gunfire rings out from Mr. Chin’s store I think it’s noises in my head.

Swagger and I glance in that direction. Within moments the sound of police sirens pierce the night.

“He’s been shot,” Jade yells to me from across the street.

I cross the street with Swagger. Two police cars and an ambulance pull up in front of Mr. Chin’s store. A small crowd of onlookers including Jade are chattering among themselves.

“The guy tried to rob him, then shot him and ran out.”

“He’s such a nice man.”

“Who are they talking about?” Swagger asks.

“Mr. Chin, I think,” I say. “He owns the store.”

“Is he a friend of yours?” Swagger asks.

“The last friend I had was killed in Iraq,” I say.

Swagger looks at his watch. “I don’t have lots of time. Can we go?”

Going into my building I look over my shoulder and see two paramedics bringing someone out of the store on a stretcher, covered by a sheet.

***

The room is as I left it. It never changes in any noticeable way. The air is hot and thick with the stench of body odor. Swagger says nothing as he comes in and I close the door behind him. He stands feet spread apart between two mounds of clothing. He reaches into his pocket and takes out the roll of money and tosses it on Murphy.

“A hundred dollars every time you punch me,” he says.

“What?” I say, uncertain that I have heard him correctly.

“I want you to punch me,” he says. “And hard. Anywhere but my face.”

“Are you sure?” I ask.

“Yes.” He removes his t-shirt.

“What are you doing?” I say. “I told you nothing sexual.”

“I’m not wanting sex with you.” He sits on Murphy and pulls off his shoes and socks. “I just want you to punch me a few times. That’s all. I just prefer to be naked when you do it.” He stands up and takes off his jeans and underwear and faces me. “Go ahead. I’m ready.”

I punch him on his left chest just above his nipple. He’s staring at me with disappointment written on his face. “Surely you can punch me harder than that.”

I land another much harder punch above the other nipple. The sound of my fist making contact with his bare flesh is like a bullet striking a cardboard target. He reels back slightly, and closes his eyes for a moment. He slowly opens his eyes. They are glassy like a cat in heat. “Oh, yeah that’s more like it.” He reaches over to the wad of money and takes out a hundred dollar bill and hands it to me. “Again,” he says.

I shove the money into my pocket and hit him in the stomach. He bends over and spits up on the floor. When he stands there is a smile on his face and I see that he’s aroused. He gives me another hundred dollar bill. I hit him again, this time on his left jaw.

“I told you not the face,” he says.

Then I punch him again, and again, and don’t stop. I am a relentless machine of released anger. He collapses on Murphy in a pile of blood and sweat. His face swells. Bruises already darken the skin around his eyes. His breathing grows labored.

“Why?” he asks. Blood drips from his mouth.

“I was in Iraq,” I say and lay into him again.

Steve Carr, who lives in Richmond, Va., began his writing career as a military journalist and has had over 240 short stories published internationally in print and online magazines, literary journals and anthologies since June, 2016. He has two collections of short stories, Sand and Rain, that have been published by Clarendon House Publications. His third collection of short stories, Heat, was published by Czykmate Productions. His YA collection of stories, The Tales of Talker Knock was published by Clarendon House Publications. His plays have been produced in several states in the U.S. He has been nominated for a Pushcart Prize twice. His website is https://www.stevecarr960.com/. He is on Twitter @carrsteven960.

Grove of the Patriarchs by Grace Marcus

I am the first child my mother never wanted.

That I have two brothers and a sister is a testament to her docility, not her change of heart. My earliest memory is of her perfume, an exotic, spicy scent, and of her dark hair swinging down around her pale and pretty face when she rescued the hem of her dress from my grasp. I was always reaching out for her. This is not selective memory. In photos she is ever lovely, and I am ever longing—one chubby arm outstretched—to touch her.

One day (I must have been five or six years old and whining for her attention) she told me, “I’m not your mother.” And, for a moment, I believed her. It’s when I noticed for the first time my mother’s dreamy blindness and deafness, inhabiting what world I didn’t know. All I knew was that she was unhappy when summoned back to mine.

For all his faults, my father was the one who took care of us when we were sick, stayed with us until we fell asleep. “Frère Jacques, Frère Jacques. Dormez-vous? Dormez-vous?” he’d chant over and over but I resisted, waiting once more for the ‘Sonnez les matines. Sonnez les matines,’ loving the sweet cadence of his voice, his hand on my forehead.

Since he walked out on her, it falls to me to be my mother’s caretaker, not that she needs one yet. But if it comes down to that, it will be me. My brothers live on the east coast and my sister Sharon, who lives in Vancouver—Washington, not Canada—and close enough to drive down in a few hours, hasn’t spoken to our mother in years.

“You’re a sap, Suzanne,” she tells me. “You can’t change the past.”

I’ve taken today off from my job at the Puget Sound Views (it’s a monthly magazine and we just put the January issue to bed) to drive my mother to a cardiologist in Seattle for a consult about a condition that causes her heart to slow and lurch disconcertingly. She and I live on opposite sides of the Narrows Bridge, I’m in Tacoma and she’s in Gig Harbor. I leave early enough to drive down to Point Defiance Park to walk the waterfront first, a salve for the resentment I will inevitably feel when she fails to evince any interest in those parts of my world that do not intersect with hers.

A mile long crescent of walkway snakes from the parking lot at the boat launch to the beach along Commencement Bay in the penumbra of the Cascades. Mount Rainier wears a corona of clouds, so I can’t see its distinctive ram’s head shape, even though the weather is unusually fine for December. That’s where I planned to be today for my ritual respite after the jumpy rush of making the deadline, in Mount Rainier National Park on a small island in the middle of the Ohanapecosh River, at the Grove of the Patriarchs, filling my lungs with oxygen from the ancient trees. That stand of Douglas fir, western hemlock, and red cedar has been growing undisturbed for nearly one-thousand years, the river protecting the Grove from fire, the gods protecting it from all else. I am fascinated by the elegant symbiosis of the nurse logs, which perpetuate that lush forest. The fallen trees decay by degrees into a carpet of mosses. Then lichens, mushrooms and fern transform them into nurseries for cedar and conifer seedlings. There are nurse logs here at Point Defiance as well, along Five Mile Drive, but I’ve run out of morning.

There’s no bridge traffic at this hour so I can easily glimpse down at the choppy swells and the blue-gray ropes of rip tides in the Narrows. On the other side of the bridge, I take the second exit and drive around the harbor where the marinas are filled with masts soldiering in the breeze, before looping onto the access road to my mother’s house. I turn left at the crooked Madrona tree, drive down the unpaved lane and park on the gravel. Her house, rented since my parents’ divorce three years ago, is shoebox plain, with dated appliances, and drab carpeting but is situated on a sandy spit of beachfront amid grander homes. Inside it smells pleasantly of bracken from the stones and shells and driftwood she has placed on every windowsill, in every shallow bowl, her only contribution to this furnished house. Her decorative stamp is outdoors, in the whimsical sculptures, the tiles embedded in the pathways, a hot tub enclosed by a filmy forest of pampas grass.

My mother beams her hello from the open doorway. Nothing personal. It’s the same smile she offers everyone. She used to be beautiful, with a hint of animal wildness peeking out in the otherwise buttoned-up old photos, her belt tied askew at her cinched waist, a bit of tooth bared between the dark lips, her hip cocked and knees aslant, as provocative as she dared.

Even now at nearly seventy, she is prettier than I. Her thick hair is streaked and cropped spiky-short over espresso eyes and lips that redden as if dipped in persimmons, even without lipstick. She wears an ivory silk blouse with a narrow black skirt and a light wool jacket the color of plums. Two-inch heels and tinted stockings show off her elegant ankles and calves. I am raggedy with lack of sleep and rumpled for lack of clean laundry.

Both my daughters were home over Thanksgiving break: Elise from Boston, where she lives with her father during the school year, and Kit from Ann Arbor, where she lives with her lover, also named Kit, also a woman. When the girls are home, except for work, I put the rest of my life on hold. Not out of obligation or sacrifice but because I enjoy their company; Elise’s mordant wit and discerning intellect, Kit’s dead-on mimicry, her hilarious political rants. I’d like them even if they weren’t my daughters.

We cook together and scout thrift stores, ride the ferries and walk the waterfront. Sail in good weather. They catch up with their friends and each other when they’re home, but they’ve stopped visiting their grandparents.

My father berates my former husband to Elise, who adores him, and crudely mocks Kit’s relationship. “You just haven’t met the right guy, honey,” he told her.  “Believe me, he’d change your tune.”

My mother, on the other hand, pretends that neither the girls’ father nor Kit’s lover exist.

“I had a bad night,” my mother tells me, offering her cheek to be kissed.

“You look wonderful.” I say this as if it were an accusation.

“Oh, well . . .” she waves her hand, dismissive. “I felt it though.” She rests her fingertips in a cage over her heart.

“What? What did you feel?” I always have to shape her language to understand her, she’s maddeningly vague.

“My heart,” she says.

“Felt it what, Mom? Stop, Slow; Hesitate?”

“Just different, you know. Like it’s been.”

My mother has unwittingly chosen my profession. I untangle syntax, un-mix metaphors and interrogate reporters until I know the story as well as they, so their articles will read with clarity and grace. I sigh. It doesn’t matter what she says, anyway. We will have empirical evidence soon. The exam, EKG, the labs.

My mother waits until I pull onto I-5 and am dodging traffic before she tells me she has been seeing my father. The way she says it, I know it isn’t for coffee.

“He’s married,” I say, although that’s not what worries me.

“Maybe it’s better this way.”

“Why? So he can beat her up and date you?”

“Don’t be melodramatic, Suzanne.” Her tone is mild. “Your father never struck me.”

When I feel compassionate, I remind myself that she was constricted in every possible way: by poverty and gender, education and class. What she had in abundance was imagination. It was how, I understood later, she could pretend my father was exhausted or worried when he was overbearing or cruel. How she could reframe his badgering as concern, his insults as instructive. The dreamy quality that kept her removed from me, from us, was how she survived.

*

The cardiologist is bald except for a low-lying fringe of wooly grey hair, and extremely tall. Tall, and good-looking in a coarse, sensual way. His fingers are thick, his mouth wide. He swivels in his chair and rests one ankle on the opposite knee, his thigh a long and solid plank, his shoe like a small boat.

“I haven’t seen you before, Mrs…” he glances at her chart, “Garner, have I?”

“It’s Ms.,” my mother says. “And yes, I had a consult in August.”

He puts down the chart and studies her. “I think I would have remembered you.” He manages to make this sound provocative.

He stands and extends his hand. “Come, let me listen before we do the EKG.”

He helps her onto the examination table, tells her to unbutton her blouse. She’s wearing a lacy camisole. He slips the stethoscope under its frothy trim. Her breast disappears under his cupped hand.

“Fifty beats per minute,” the doctor says. “Any dizziness, nausea?”

“Sometimes.”

“Which?” he asks her. “How often?”

Good luck, I think, trying to understand my mother.

He takes her hand and tries again. “How about now? Do you feel lightheaded now?”

It infuriates me that this man is flirting with my mother—and not in a patronizing way—some remnant of her glory days clings to her, some superannuated estrogen patch or pheromone. My boyfriends, my husband, all of them were taken with her. I don’t know how my father stood it.

No, that’s a lie.

My father is the sort of man who likes his women beautiful. Beautiful and frail. He does, of course, resent them for it later.

“Christ, Adele, must I do every little goddamned thing for you?” he would say after my mother handed him a light bulb or a recalcitrant pickle jar.

“Of course you must, Mitchell.” She’d laugh and rubbed up against him, the sensuous gesture revolted my teenage-self. Was it that or the way in which my father was captivated?

He always got the best parts of her. And when my father was away, at work or on a business trip, it was as though she went away as well. From the time I was twelve, I became the woman of the house in his absence, signing permission slips, helping with homework, defrosting the ground beef for dinner. My mother wore aprons fussily, like a wardrobe in a play. Pots got burned and dinners ruined amid chapters of a book.

I am fulminating about all this when my mother blinks three times then slumps to the floor.

The doctor kneels beside her, bends his ear to her mouth. When he places his hands between her breasts, it takes me a second to realize it’s CPR.  “Get my nurse,” he tells me. “Now. Move!”           

I intercept the nurse in the hallway. “My mother collapsed. He wants you.”

The placid-faced Filipina races past me into a room, then pops right back out, like in a cartoon, dragging a red metal cart behind her. She summons another nurse who rushes into the same room and wheels out a gurney.

It’s only minutes before the doctor is running alongside the gurney, two nurses in attendance, the Filipina straddled across my mother’s chest, her hands like pistons revving up my mother’s heart. I run behind until they disappear into the service elevator at the end the corridor. I’m punching the elevator buttons when the receptionist tells me they’ve taken my mother to the Cardiac Care Unit.

“Fifth floor,” she tells me. “Bear right.”

*

I call Sharon from the family waiting room. “I’ll come down,” she says.

I know she means for me, not our mother. The kindness undoes me. “Okay,” I manage through the knot in my throat. “Good.”

“Suze?”

I can’t speak.

“Suzanne. You’ve done your best, damn it.”

“Her, too,” I say, and hang up before Sharon can tell me that’s bullshit.

While I wait, I close my eyes and conjure the hushed embrace of the Grove of the Patriarchs, immerse myself in its green glory until I am as tranquil and still as the trees themselves.

 I can’t believe it when the handsome doctor comes out with that look on his face, the one that says everything isn’t okay and never will be again.

*

The room has a ghoulish green glow, all fluorescence and scrubs and easily washed plastic chairs. Everything else is white: the crib-like hospital beds, the linens, the bathroom fixtures exposed to passers-by.

I edge past the patient in the bed closest to the door; my heart knocking in my chest, to look for her but the second bed is empty. I double-check the slip of paper in my hand. Room 3605-A. The first bed. I spin around. I didn’t recognize her because this time she has gone so far away that she’s never coming back.

I know this even before the doctor arrives and tells me it wasn’t her heart, after all, but a burst aneurysm that caused the stroke, which has spared her heart but ravaged her brain.

My breath enters my chest through a long narrow tube, one cold milliliter at a time. I back out of the room grateful for the obligation I have to call the others. I call my brothers first. They take it in stride. To them our mother has been as impartial and reliable as a nurse log, giving off nutrients but little else once they took off on their own.

“I’m sorry, Suze,” they tell me, acknowledging the loss is mine alone.

I call Sharon but get her voice mail. I don’t leave a message. I call my father last, reluctant to subject my mother to either his scrutiny or his lack of regard. Until I can make contact with Sharon, I walk the streets, wandering over to Pioneer Square, then into the lobby of the Alexis Hotel where I buy a pack of cigarettes in the gift shop. It’s been a decade since I’ve smoked but I decide I’ve been prudent for too long, that I should have been bolder and said my piece when I still had the chance. Three cigarettes later, I throw away the pack and dial Sharon again.

She cries when I tell her. Great gulping sobs which astonish me. I’d expected her to comfort me but it’s the other way around and when I hang up, I realize that she must have harbored the same secret hope all the years she’d been ridiculing mine.

*

The hospital room is dark now, except for the frenetic flickering of the TV. The remote is pinned to the sheet near my mother’s head, the stagy voices and static-y soundtrack leaking onto her pillow. I can’t tell if she’s listening but she’s not watching the screen, her eyes are closed. Wait. If she turned on the TV, then perhaps she’s trying to work her way back to speech, back to comprehension.

The nurse’s voice startles me. “We turn it on for them. Sometimes it helps,” he says as he fastens the blood pressure cuff onto my mother’s arm.

“Is it helping now?” I ask, a tendril of hope taking root in my chest.

He shrugs. “Hard to tell.”

As soon as he leaves, I stand close to the bed. “Mom,” I say. “Mom. It’s me.”

She looks up at the sound of my voice. Her gaze slides down my face to my hand, which she seizes in a fierce grip.

“Mom,” I try again and this time she doesn’t even look up, but just tightens her hold on me until my hand aches and her nails inscribe their hieroglyphics in my flesh.  One by one, I pry her fingers loose and cradle them between my palms until they slacken.           

“It’s okay, Mom, I’m right here.” I tuck her in and brush the damp hair away from her still lovely face.

I station the green plastic chair where she can see me and settle into its cool, unyielding embrace, prepared to stay until she falls asleep. She reaches for me through the bedrails. I take her hand and sing, “Frère Jacques, Frère Jacques.  Dormez-vous? Dormez-vous?”

Grace Marcus’s work has been published in Philadelphia Stories, The Bucks County Writer Magazine, Adanna Literary Journal, TheWritersEye, and Women on Writing. Her novel, Visible Signs, was a semi-finalist in the William Faulkner Writing Competition.

The First chapter of her novel, “Visible Signs,” is featured in the Feb 2019 issue of the Embark Literary Journey. https://embarkliteraryjournal.com/issues/issue-7-january-2019/visible-signs-grace-marcus/

She holds a Master’s in Theatre Arts from Montclair University. Her checkered past includes stints as an actress, waitress, social worker, newspaper editor, radio and cable TV show producer. A Brooklyn native, she has resided on both coasts. At present, she lives in North Carolina where she is working on a new novel and a collection of short stories.

Violette by Ivan Zoric

Sooo good

Me First Magazine

Here’s a name you don’t hear often. Violette Reign.
The words rolled effortlessly off her tongue. Her perfect French scattered a
pack of wild chills up my spine. No way I was going to repeat it without
practicing—Slav roots and hard R’s be damned.

It suited her. One look at her, shivering in the cold February night air, inside the courtyard where we were all gathered, and I knew she had reinvented herself with it. It was not the fact that she was obviously cold (and that thin leather jacket did not help either), no. She shivered with grace; a delicate tremble of the shoulders, a gentle sway of her hips, all the time standing on the tip of her toes.

The fool that I was, I fell for it. I offered her my coat, which she refused with a smile.

“I am not that cold, really,” she said. “Besides…

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